
Albert BesnardFrench, 1849–1934May one see it?
Minneapolis, United States
It belongs to the collection, but is not on display at present.
Busy with commissions for public ceiling murals in Paris, Albert Besnard had never made a lithograph until André Marty recruited him for L'Estampe originale. This scene betrays Besnard's fear of dying young like his father: A woman is bathed in a swirl of light, loved ones, and privilege, unaware of Death lurking at the door. Besnard didn't take to lithography and turned to etching for his other two L'Estampe originale prints.
Minneapolis Institute of Art