The Tuggs at Ramsgate, George Cruikshank, 19th century
George Cruikshank, portraitGeorge CruikshankEnglish, 1792–1878

The Tuggs at Ramsgate

19th century · Print · 18.1 × 13.02 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Particulars

Accession number
P.5, 888.5

In the catalog

Sources

Meanwhile, in the life of George Cruikshank

The whole life
  1. 1811

    Fame through caricatures for “The Scourge”

    A series of satirical caricatures for the monthly “The Scourge, a Monthly Expositor of Imposture and Folly” makes him famous. In four years with the magazine he comes close to James Gillray in popularity and earnings, and in the end replaces him as England’s most popular satirist.

  2. 1823

    Turns to book illustration

    At 31 he begins to focus on book illustration (other accounts say books by contemporary authors had occupied him since 1820, while he went on illustrating political life until 1825). Over his long life he will illustrate more than 850 books and create nearly 10,000 prints, illustrations and plates.

  3. 16 October 1827

    Marries Mary Ann Walker

    He marries Mary Ann Walker (1807–1849); the marriage will last until her death.

  4. late 1840s

    Becomes a champion of temperance

    In the late 1840s Cruikshank’s attention shifts from book illustration to temperance and the fight against smoking: a former heavy drinker, he supports, lectures to and draws for the National Temperance Society and the Total Abstinence Society. His committed teetotalism further sours his friendship with Dickens, who held to moderation.

  5. 30 December 1871

    Claims credit for the plot of “Oliver Twist”

    On 30 December 1871 he publishes a letter in The Times claiming credit for much of the plot of “Oliver Twist”, which launches a fierce controversy over who created the novel. Robert Seymour had made a similar claim about “The Pickwick Papers”; in his 1867 preface Dickens strenuously denied any outside input.

  6. 1 February 1878

    Death in London

    He dies in London; in his last years, after developing palsy, his health and the quality of his work declined. He is first buried in Kensal Green Cemetery, and in November 1878 his remains are reburied in St Paul’s Cathedral. The obituary in Punch called him a blameless man with a childlike nature, apparently unaware of his large illegitimate family — 11 children by his former servant Adelaide Attree.

All works

Neighbors at Minneapolis Institute of Art

Museum page