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  1. Collection/
  2. The Museum of Modern Art/
  3. The Traitor
The Traitor, Aldemir Martins, 1953
AAldemir MartinsBrazilian, 1922–2006

The Traitor

1953 · Drawing

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum's own collection data
On the mapMuseum page

Particulars

1953 · aged 31
19222006
Accession number
151.1957

In the catalog

Drawings & watercolorsInkPost-war art20th century

Sources

  • The Museum of Modern Art: the museum's own open data · fetched 15 days ago
  • Image: The Museum of Modern Art — © the artist or rights holder

More by Aldemir Martins

All works
The Young Beggar, Aldemir Martins, 1956

The Young Beggar

1956 · Not on view · The Museum of Modern Art

Bird, Aldemir Martins, 1957

Bird

1957 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950