The Three Nymphs, Aristide Maillol, 1930–38
Aristide Maillol, portraitAristide MaillolFrench, 1861–1944

The Three Nymphs

1930–38 · Sculpture · 157.5 × 144.8 cm

Can I see it?

Not on view at present

Where is “The Three Nymphs” now? Collection: Minneapolis Institute of Art, Minneapolis. Not on view at present. Checked September 29, 2026.

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the sculpture

Throughout his career, Aristide Maillol drew inspiration from the female form. His Three Nymphs recall the Three Graces of Greek mythology - personifications of grace, charm, and beauty. He also followed classical precedent by showing the three figures clasping hands and dancing.

Maillol rejected the roughly textured surfaces favored by such earlier sculptors as Rodin for the smoothly swelling forms of ancient Greek sculpture. Maillol's massive figures convey a classical serenity and repose, which also contrasted with the vigorous intensity and drama of Rodin's or Degas' sculptures. The three women here all share the same sturdy form, yet each has slight facial and physical differences.

Minneapolis Institute of Art

Details

Accession number
49.25

In the catalog

Sources

In the life of Aristide Maillol

The whole life
  1. 1933

    Retrospectives in New York and Basel

    In 1933 two retrospective exhibitions of Maillol's work were held, in New York and in Basel.

  2. 1934

    Meets Dina Vierny

    In 1934 the architect Jean-Claude Dondel introduced the 73-year-old Maillol to Dina Vierny, a fifteen-year-old émigrée from Bessarabia. For ten years she was his principal model and muse — The Mountain, The River, The Air, Harmony — and through their collaboration Maillol returned to drawing from life.

  3. 1937

    Recognition at the 1937 World's Fair

    In 1937 Maillol's work won recognition at the World's Fair and in the new National Museum of Modern Art at the Palais de Tokyo in Paris; that same year he was made a Commander of the Legion of Honour.

  4. 1939

    Withdraws to Banyuls as war breaks out

    At the outbreak of the Second World War Maillol withdrew to his native Banyuls-sur-Mer.

  5. 1940–1944

    The Nazis seize his works

    During the German occupation of France dozens of Maillol's works were seized by the Einsatzstab Reichsleiter Rosenberg; the Jeu de Paume database lists thirty of them. His Head of Flora was later found in the hoard of Cornelius Gurlitt, son of Hitler's art dealer.

All works

On view at Minneapolis Institute of Art

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