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  1. Collection/
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  3. The Terrible Archer (L'archer terrible)
The Terrible Archer (L'archer terrible), James Ensor, 1888
Ensor, James, portraitEnsor, JamesBelgian, 1860–1949

The Terrible Archer (L'archer terrible)

1888 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
Source
The museum
On the mapMuseum page

Particulars

1888 · aged 28
18601949
Accession number
137.1960

In the catalog

PrintsEtchingImpressionism19th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Ensor, James

The whole life
  1. 1860–1949 · Workplace

    Ostend

  2. 1880s

    Brief trips to France and the Netherlands

    Ensor travelled very little: in the 1880s, just three brief trips to France and two to the Netherlands.

  3. 1883–1893 · Membership

    Les XX

  4. 1887

    Death of his father

    His father, James Frederic Ensor, died — a scion of a wealthy English family who never found his footing in Belgium, mocked by small-town Ostend as a drunkard and failure, yet always supportive of his son's passion for art. Left the only man in the family, James felt a special responsibility for his younger sister Mariette (Mitche).

  5. 1888–1892

    Turning-point years: the Passion of Christ

    Ensor turned to religious themes, most often the torments of Christ, expressing through them his disgust at the inhumanity of the world; an atheist, he identified with Christ as a victim of mockery. At the height of his creative powers, between 1886 and 1891, he made 86 of his 133 etchings.

More by Ensor, James

All works
Christ's Entry into Brussels in 1889, James Ensor, 1888

Christ's Entry into Brussels in 1889

1888 · J. Paul Getty Museum

The Intrigue, James Ensor, 1911

The Intrigue

1911 · Minneapolis Institute of Art

Comical Repast (Feast of the Lean), James Ensor, ca. 1917–18

Comical Repast (Feast of the Lean)

ca. 1917–18 · The Metropolitan Museum of Art

Still Life with Fish and Shells, James Ensor, 1898

Still Life with Fish and Shells

1898 · Art Institute of Chicago

The Riding Crop, James Ensor

The Riding Crop

Not on view · National Gallery of Art

Phantastisches Stillleben, James Ensor

Phantastisches Stillleben

Belvedere

Stillleben mit blauer Flasche und gerupftem Huhn, James Ensor

Stillleben mit blauer Flasche und gerupftem Huhn

Belvedere

Blumenkorb, James Ensor

Blumenkorb

Albertina

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950