Winslow HomerAmerican, 1836–1910The Return, Tynemouth (recto) Study (verso)
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Chicago, United States
It belongs to the collection, but is not on display at present.
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- Source
- The museum
About the work
During Homer's sojourn in England from 1881 to 1882, he rented a studio on a cliff overlooking Cullercoats Harbor, where he observed the comings and goings of fishing boats. The Return, Tynemouth depicts two fishermen who have arrived on shore in early morning. Because this watercolor was painted with light-fast pigments, it retains the pale, orange-pink washes that have faded from many of the extant watercolors he painted with fugitive red pigments; for this reason, it offers a more complete idea of his developing powers in decorative color. Homer's study of the British Library's drawings by Michelangelo and Raphael during this 1881-82 trip to England may have improved his skill for rendering figures in motion, which are emphasized here by the artist's graphite underdrawing.
Art Institute of ChicagoCC BY 4.0
Particulars
- Accession number
- 1933.1251
What it shows
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — CC0
Meanwhile, in the life of Winslow Homer
The whole lifelate 1870s
A recluse in Gloucester
In the late 1870s, whether from disappointments with women or some other emotional turmoil, Homer became reclusive, abandoned urban social life and lived instead in Gloucester, for a while even in the secluded Eastern Point Lighthouse with the keeper's family. Watching the fishermen, the sea and the marine weather, he rediscovered his love of the sea and found a rich source of themes in it.
spring 1881 – November 1882
England: the village of Cullercoats
In 1881 Homer set off on his second and last trip abroad, to England, and from the spring of 1881 to November 1882 lived in the village of Cullercoats on the North Sea, depicting the courage of fishermen and above all of women: gutting fish, mending nets, waiting for the men at the water's edge. The period profoundly changed his later work: his palette grew sober and his pictures larger. Of the local women he wrote: “The women are the working bees.”
November 1882
Return: “a very different Homer”
In November 1882 Homer returned to the United States and showed his English watercolours in New York. Critics noticed the change at once: “He is a very different Homer from the one we knew”, his pictures were “works of High Art”, and his women were no longer “dolls who flaunt their millinery” but sturdy, fearless wives and mothers.
summer 1883
Moves to Prouts Neck
In the summer of 1883 Homer moved from New York to Prouts Neck, a peninsula ten miles south of Portland, Maine, and lived there for the rest of his life, using solitude to work. He settled on the family estate, in a remodelled carriage house seventy-five feet from the ocean.
