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  3. The Reader
The Reader, Jean-Baptiste-Camille Corot, 1868

The Reader

1868 · Painting · 75.09 × 41.91 cm

About the painting

This painting once belonged to James J. Hill (1838-1916), the Minnesota railroad magnate whose collection of European paintings forms the basis of the Institute's nineteenth-century holdings.

Conservation of this picture was made possible by a generous contribution from Barbara and Joseph Ali, Mary Grahek and Mike Zimmerman through the Art Champions program.

Minneapolis Institute of Art

Particulars

1868 · aged 72
17961875
Accession number
67.31.2

Meanwhile, in the life of Camille Corot

The whole life
  1. 1860s

    An interest in photography

    In the 1860s Corot became interested in photography, taking photos himself and becoming acquainted with many early photographers. The monochrome tones of photographs suppressed his palette even further, making his paintings less dramatic but somewhat more poetic.

  2. 1865–1875

    “Père Corot” of Parisian artists

    In his final ten years Corot became the “Père (Father) Corot” of Parisian artistic circles, regarded with personal affection and acknowledged as one of the five or six greatest landscape painters the world had seen, along with Hobbema, Claude Lorrain, Turner and Constable.

  3. 29 June 1867 · Award

    Officer of the Legion of Honour

More by Camille Corot

All works

In the same room · G354, Minneapolis Institute of Art

Museum page
Camille Corot, portraitCamille CorotFrench, 1796–1875

May one see it?

Yes, receiving visitors

Minneapolis Institute of Art

Minneapolis, United States

RoomG354

On public display.

Checked
3 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

In the catalog

PaintingsOilFrench paintingRealismImpressionism19th centuryFrance

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain
Hagar in the Wilderness, Camille Corot, 1835

Hagar in the Wilderness

1835 · The Metropolitan Museum of Art

Diana and Actaeon (Diana Surprised in Her Bath), Camille Corot, 1836

Diana and Actaeon (Diana Surprised in Her Bath)

1836 · The Metropolitan Museum of Art

Sibylle, Camille Corot, ca. 1870

Sibylle

ca. 1870 · The Metropolitan Museum of Art

Mountainous Landscape, Camille Corot

Mountainous Landscape

The Metropolitan Museum of Art

Paysage., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1632)

Paysage.

second quarter of the 19th century (1632) · Musée du Louvre

The Island and Bridge of San Bartolomeo, Rome, Jean-Baptiste-Camille Corot, 1825/1828

The Island and Bridge of San Bartolomeo, Rome

1825/1828 · National Gallery of Art

Italian Peasant Boy, Jean-Baptiste-Camille Corot, 1825/1827

Italian Peasant Boy

1825/1827 · National Gallery of Art

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano., Corot, Jean-Baptiste Camille, 2e quart du XIXe siècle (1825 - 1850)

Panorama de la campagne romaine. Les monts Prenestini vus d'Olevano.

second quarter of the 19th century (1825–1850) · Musée du Louvre

The Piazza San Marco, Venice, Pierre Auguste Renoir, 1881

Pierre-Auguste Renoir

The Piazza San Marco, Venice, 1881

Orchards at Louveciennes, Camille Pissarro, 1872

Camille Jacob Pissarro

Orchards at Louveciennes, 1872

Springtime of Life, Jean-Baptiste-Camille Corot, 1871

Camille Corot

Springtime of Life, 1871

Peasant Girl at the Spring, Jean-Baptiste-Camille Corot, c. 1860–65

Camille Corot

Peasant Girl at the Spring, c. 1860–65

The Fugitives, Honoré Daumier, c. 1868–70

Honoré Daumier

The Fugitives, c. 1868–70

Portrait of Mademoiselle Dubois, Alfred Stevens, 1884

Alfred Stevens

Portrait of Mademoiselle Dubois, 1884

The Mills at Montreuil-sur-Mer, Normandy, Frits Thaulow, 1891

Frits Thaulow

The Mills at Montreuil-sur-Mer, Normandy, 1891

The Pond, Jules Dupré, 1837

Jules Dupré

The Pond, 1837