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  3. The Races
The Races, Edouard Manet, c. 1865 - c. 1872
Édouard Manet, portraitÉdouard ManetFrench, 1832–1883

The Races

c. 1865 - c. 1872 · Print

May one see it?

Not receiving at present

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
2 days ago
In this state since
Sep 27, 2026
Source
The museum's own collection data
On the mapMuseum page

Particulars

c. 1865 - c. 1872
18321883
Accession number
G8744

In the catalog

PrintsLithographRealismImpressionism19th centuryFrench

Sources

  • Harvard Art Museums: the museum's own open data · fetched 8 days ago
  • Image: Harvard Art Museums — © President and Fellows of Harvard College

Meanwhile, in the life of Édouard Manet

The whole life
  1. 1863

    “The Luncheon on the Grass” at the Salon des Refusés

    The Salon of 1863 rejected “The Luncheon on the Grass” (originally “Le Bain”), and Manet exhibited it at the Salon des Refusés, a parallel exhibition initiated by Napoleon III after a public outcry, the jury having accepted only 2,217 of more than 5,000 submissions. The juxtaposition of dressed men and a nude woman and the sketch-like handling caused a scandal; one critic compared the brushwork to a “floor mop”.

  2. 1863

    Marries Suzanne Leenhoff

    In 1863, a year after his father's death, Manet married Suzanne Leenhoff at a Protestant church: a Dutch-born piano teacher two years his senior with whom he had been romantically involved for about ten years. Auguste Manet had employed her to teach his sons the piano, and she may also have been Auguste's mistress.

  3. 1865

    “Olympia” at the Salon: a scandal

    In 1865 the Salon accepted “Olympia”, and the frank depiction of a self-assured prostitute created a scandal; according to Antonin Proust, only the precautions taken by the administration prevented the painting from being punctured and torn. The popular press caricatured it, while the avant-garde, including Courbet, Cézanne and Monet, championed it.

  4. 1867

    His own pavilion near the Pont de l'Alma

    In 1867, during the World's Fair in Paris, Manet set up his own pavilion near the Pont de l'Alma and showed fifty of his best works of the past ten years. Possibly this step led to his works being accepted at the next two Salons.

  5. 1868

    Friendship with Berthe Morisot

    In 1868 Manet became a friend and colleague of Berthe Morisot; she is credited with convincing him to attempt plein air painting, to which Camille Corot had introduced her. Through Morisot, Manet became friends with Degas, Monet, Renoir, Sisley, Cézanne and Pissarro.

  6. 1870

    The siege of Paris: Manet in the army

    During the siege of Paris Manet, a convinced republican, sent his family to Oloron-Sainte-Marie in the south of France, while he himself, with many fellow artists, joined the army and took part in the defence of the capital; he was lucky to survive.

More by Édouard Manet

All works
The Spanish Singer, Edouard Manet, 1860

The Spanish Singer

1860 · The Metropolitan Museum of Art

The Smoker, Édouard Manet, 1866

The Smoker

1866 · Minneapolis Institute of Art

Young Lady in 1866, Edouard Manet, 1866

Young Lady in 1866

1866 · The Metropolitan Museum of Art

Boating, Edouard Manet, 1874

Boating

1874 · The Metropolitan Museum of Art

La Vierge au lapin, Manet, Édouard, Milieu du XIXe siècle (1840 - 1860)

La Vierge au lapin

mid 19th century (1840–1860) · Musée du Louvre

Boy with a Sword, Edouard Manet, 1861

Boy Carrying a Sword

1861 · The Metropolitan Museum of Art

Portrait of Madame Brunet, Édouard Manet, about 1861–1863, reworked by 1867

Portrait of Madame Brunet

about 1861–1863, reworked by 1867 · J. Paul Getty Museum

The Old Musician, Edouard Manet, 1862

The Old Musician

1862 · National Gallery of Art

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