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  3. The Queen in "Hamlet"
The Queen in "Hamlet", Edwin Austin Abbey, 1895

The Queen in "Hamlet"

1895 · Drawing · 70.8 × 55.6 cm

Particulars

1895 · aged 43
18521911
Accession number
1973.28.1

More by Edwin Austin Abbey

All works

Neighbors at Smithsonian American Art Museum

Museum page

On the same theme · Royal

All works on the theme
Edwin Austin Abbey, portraitEdwin Austin AbbeyAmerican, 1852–1911

May one see it?

Unknown

Smithsonian American Art Museum

Washington, D.C., United States

The owner is known; whether it is on view today is not.

In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

What it shows

RoyalTheaterMeditationFigure femaleClothing and dressState of beingMood (Psychology)Entertainers

In the catalog

Drawings & watercolorsPastelImpressionism19th century

Sources

  • Smithsonian American Art Museum
  • Image: Smithsonian American Art Museum — CC0
"King Lear," Act I, Scene I, Edwin Austin Abbey, 1898

"King Lear," Act I, Scene I

1898 · The Metropolitan Museum of Art

With Pride Upon Her Brow, Edwin Austin Abbey, c. 1878

With Pride Upon Her Brow

c. 1878 · Not on view · National Gallery of Art

Solitude: Miss Vesta Rollinstall, Edwin Austin Abbey, 1878

Solitude: Miss Vesta Rollinstall

1878 · Not on view · National Gallery of Art

"Who Is Sylvia? What Is She, That All the Swains Commend Her?", Edwin Austin Abbey, 1896-1899; reworked 1900

"Who Is Sylvia? What Is She, That All the Swains Commend Her?"

1896-1899; reworked 1900 · Not on view · National Gallery of Art

A Happy New Year, Edwin Austin Abbey, c. 1900-1910

A Happy New Year

c. 1900-1910 · Not on view · National Gallery of Art

Een onnoozele inbreker, Edwin Austin Abbey, 1905 - 1924

Een onnoozele inbreker

1905 - 1924 · Rijksmuseum

Austin Dobson Winding Up Edwin Abbey to Draw a Book-Plate for Him, Edwin Austin Abbey, 19th-20th century

Austin Dobson Winding Up Edwin Abbey to Draw a Book-Plate for Him

19th-20th century · Not on view · Harvard Art Museums

Drawing, Edwin Austin Abbey, 1875-1910

Drawing

1875-1910 · Not on view · Victoria and Albert Museum

Muskrat, Unidentified, before 1997

Unidentified

Muskrat, before 1997

Cane with Boot-Shaped Handle, Unidentified, late 19th-early 20th century

Unidentified

Cane with Boot-Shaped Handle, late 19th-early 20th century

San Jose, Arce group, late 19th-early 20th century

Arce group

San Jose, late 19th-early 20th century

Nuestra Senora del Carmen, Rivera group, ca. late 19th-early 20th century

Rivera group

Nuestra Senora del Carmen, ca. late 19th-early 20th century

San Rafael, Genaro Rivera Aviles, late 19th-early 20th century

Genaro Rivera Aviles

San Rafael, late 19th-early 20th century

Worrying Mother Pig Toy, Unidentified, 20th century (pre-1960s)

Unidentified

Worrying Mother Pig Toy, 20th century (pre-1960s)

Bright Light at Russell's Corners, George Ault, 1946

George Ault

Bright Light at Russell's Corners, 1946

Fish Decoy, Unidentified, ca. 1940s

Unidentified

Fish Decoy, ca. 1940s

Portrait of Emmanuel Rio, Albert Schindler, 1836

Albert Schindler

Portrait of Emmanuel Rio, 1836

Art Institute of Chicago

Salome with the Head of Saint John the Baptist, Guido Reni, c. 1639–42

Guido Reni

Salome with the Head of Saint John the Baptist, c. 1639–42

Art Institute of Chicago

Face Mask (Ngady Mwaash), Kuba, Late 19th-mid 20th century

Kuba

Face Mask (Ngady Mwaash), Late 19th-mid 20th century

Not on view · Art Institute of Chicago

Crèche, Neapolitan, 1725–75, with later additions

Neapolitan

Crèche, 1725–75, with later additions

Not on view · Art Institute of Chicago

The Princesses, Adolphe Joseph Thomas Monticelli, c. 1870

Adolphe Joseph Thomas Monticelli

The Princesses, c. 1870

Not on view · Art Institute of Chicago

Bireno and Olimpia, Ferdinando Tacca, 1640/50

Ferdinando Tacca

Bireno and Olimpia, 1640/50

Art Institute of Chicago

Profile Bust of the Prince of Condé, Follower of Antoine Coysevox, c. 1685

Follower of Antoine Coysevox

Profile Bust of the Prince of Condé, c. 1685

Not on view · Art Institute of Chicago

Polycrates' Crucifixion, Salvator Rosa, 1664

Salvator Rosa

Polycrates' Crucifixion, 1664

Art Institute of Chicago