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  1. Collection/
  2. National Gallery of Art/
  3. The Poleman in the Ma'sh
The Poleman in the Ma'sh, Thomas Eakins, c. 1881
Thomas Eakins, portraitThomas EakinsAmerican, 1844–1916

The Poleman in the Ma'sh

c. 1881 · Drawing

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
2 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

c. 1881
18441916
Accession number
1984.3.9

What it shows

OccupationPoleman

In the catalog

Drawings & watercolorsGraphiteImpressionism19th centuryAmericanRealist

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access

Meanwhile, in the life of Thomas Eakins

The whole life
  1. 1870–1916 · Workplace

    Philadelphia

  2. 1879

    Death of his fiancée Kathrin Crowell

    Kathrin Crowell, to whom Eakins had been engaged for five years, died of meningitis.

  3. 1880

    Acquires a camera

    From 1880 Eakins had his own camera: paintings such as “Mending the Net” (1881) and “Arcadia” (1883) derive in part from his photographs. He is credited with having “introduced the camera to the American art studio”; some eight hundred photographs are attributed to him and his circle.

  4. 1882

    Becomes director of the Pennsylvania Academy

    Eakins became the Academy's director. His methods were controversial — no drawing from antique casts and no prize competitions, a quick move from charcoal to paint, anatomy through dissection and photography — yet by the early 1880s the course was called the most “liberal and advanced in the world”.

  5. 1882

    Death of his sister Margaret

    Eakins's sister Margaret, who had acted as his secretary and personal servant, died of typhoid; it has been suggested that his marriage two years later was meant to replace her.

  6. 1883

    Brings Eadweard Muybridge to lecture at the Academy

    In the late 1870s Eakins had discovered Eadweard Muybridge's photographic motion studies, especially those of horses; in 1883 he and the University of Pennsylvania trustee Fairman Rogers arranged for Muybridge to lecture at the Academy.

More by Thomas Eakins

All works
The Champion Single Sculls (Max Schmitt in a Single Scull), Thomas Eakins, 1871

Max Schmitt in a Single Scull

1871 · The Metropolitan Museum of Art

Carmelita Requena, Thomas Eakins, 1869

Carmelita Requena

1869 · The Metropolitan Museum of Art

A Street Scene in Seville, Thomas Eakins, 1870

A Street Scene in Seville

1870 · The Metropolitan Museum of Art

The Biglin Brothers Racing, Thomas Eakins, 1872

The Biglin Brothers Racing

1872 · National Gallery of Art

Pushing for Rail, Thomas Eakins, 1874

Pushing for Rail

1874 · The Metropolitan Museum of Art

The Chess Players, Thomas Eakins, 1876

The Chess Players

1876 · The Metropolitan Museum of Art

Singing a Pathetic Song, Thomas Eakins, 1881

Singing a Pathetic Song

1881 · National Gallery of Art

The Writing Master, Thomas Eakins, 1882

The Writing Master

1882 · The Metropolitan Museum of Art

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888