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  3. The New One
The New One, John B. Flannagan, 1935
John B. Flannagan, portraitJohn B. FlannaganAmerican, 1895–1942

The New One

1935 · Sculpture · 15.9 × 29.2 cm

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the sculpture

The figure of an embryo shortly before birth or a newborn baby incised in a large bluestone is a perfect example of the technique of 'direct carving'. Instead of transferring a preconceived image developed in clay, wood, or drawings into the stone, the artistic process instead is seen as a dialogue between the sculptor and the stone, as a respectful interaction between the artist and nature. Metaphorically, the sculptor acts as a midwife who liberates the image enclosed in the stone, following hints of its shape, structure, color and texture. John Bernard Flannagan, who was born and raised in Fargo, North Dakota, studied at the Minneapolis Institute of Art from 1916-1919. Later living in New York and Ireland, Flannagan became a champion of direct carving, a principle adopted by many modernist sculptors of the first half of the 20th century, especially in England. Other protagonists of this technique were Jacob Epstein and Henry Moore.

Minneapolis Institute of Art

Particulars

1935 · aged 40
18951942
Accession number
51.21

In the catalog

SculptureModernism20th centuryUnited States

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — © Minneapolis Institute of Art

More by John B. Flannagan

All works
Christ, John B. Flannagan, 1925

Christ

1925 · National Gallery of Art

Seated Nude Girl, John B. Flannagan, n.d.

Seated Nude Girl

n.d. · Smithsonian American Art Museum

Donkey, John B. Flannagan, ca. 1930-1931

Donkey

ca. 1930-1931 · Smithsonian American Art Museum

Nude Female Torsos, John B. Flannagan, c. 1925

Nude Female Torsos

c. 1925 · Not on view · National Gallery of Art

Untitled (Landscape With Goat), John B. Flannagan, c. 1930-1933

Untitled (Landscape With Goat)

c. 1930-1933 · Not on view · National Gallery of Art

Untitled (Two Horses in a Hilly Landscape, Ireland), John B. Flannagan, c. 1930

Untitled (Two Horses in a Hilly Landscape, Ireland)

c. 1930 · Not on view · National Gallery of Art

Untitled (Scottie and Cow Near Cottage in Hilly Landscape, Ireland), John B. Flannagan, c. 1930

Untitled (Scottie and Cow Near Cottage in Hilly Landscape, Ireland)

c. 1930 · Not on view · National Gallery of Art

Triumph of the Egg, I, John Flannagan, 1937

Triumph of the Egg, I

1937 · Not on view · The Museum of Modern Art

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34