ART WIKI32,979 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. Victoria and Albert Museum/
  3. The Menai Strait
The Menai Strait, James Baker Pyne, 1846

The Menai Strait

1846 · Oil painting · 61 × 91.4 cm

About the painting

Having trained as an attorney, James Baker Pyne (1800-1870) taught himself painting and began working as a professional artist in his native Bristol. He exhibited seven works at the RA between 1836 and 1855, 28 at the BI 1828-63, and 194 at the Society of British Artists between 1833 and 1870. He painted mainly landscapes.

Read on

Between 1839 and 1869 Pyne recorded his paintings in a series of account books, now kept at the National Art Library. This painting is probably number 179; "The Menai Straits". The location of the painting has been identified as a romanticised view of Port Dinorwig (Y Felin Heli), which is situated in the county of Gwynedd opposite the Moel y don in North Wales. This peaceful landscape is a very romanticised version of how the landscape would have looked in 1846 when this painting is dated. In this composition Pyne has left out a stone quarry that was built along the foreshore in 1839-41 and a tramway that ran between the quarry and the quay. This shows the artist making a conscious decision to include elements to create a composition that would appeal to a mid-nineteenth century audience.

Victoria and Albert Museum

Particulars

1846 · aged 46

More by James Baker Pyne

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Wales

All works on the theme
18001870
Accession number
E.413-2007

Sources

  • Victoria and Albert Museum
  • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
James Baker Pyne, portraitJames Baker PyneBritish, 1800–1870

May one see it?

Not receiving at present

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
13 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page
The Mulgrave Alum Works at Sandsend, Yorkshire Coast, James Baker Pyne, 1844

The Mulgrave Alum Works at Sandsend, Yorkshire Coast

1844 · The National Gallery

Landscape, James Baker Pyne

Landscape

Not on view · The Cleveland Museum of Art

Windsor, James Baker Pyne, 19th century

Windsor

19th century · Not on view · Harvard Art Museums

Distant view of Arundel Castle, James Baker Pyne, ca. 1820-70

Distant view of Arundel Castle

ca. 1820-70 · Not on view · Victoria and Albert Museum

View of Windsor Castle, James Baker Pyne, mid 19th century

View of Windsor Castle

mid 19th century · Not on view · Victoria and Albert Museum

Drawing, James Baker Pyne, ca. mid 19th century

Drawing

ca. mid 19th century · Not on view · Victoria and Albert Museum

Drawing, James Baker Pyne, ca. mid 19th century

Drawing

ca. mid 19th century · Not on view · Victoria and Albert Museum

Landscape With Figures, James Baker Pyne, 1836

Landscape With Figures

1836 · Not on view · Victoria and Albert Museum

Bird of Paradise, Hashimoto Chitaka, 2026

Hashimoto Chitaka

Bird of Paradise, 2026

Torsion 2, Taruma Shoko, 2025

Taruma Shoko

Torsion 2, 2025

Fu, Someya Satoshi, 2025

Someya Satoshi

Fu, 2025

Bow Before the Curtain Falls, 2024

Bow Before the Curtain Falls, 2024

Summer, 2024

Summer, 2024

Red Flow, Ishizuka Genta, 2024

Ishizuka Genta

Red Flow, 2024

3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

Factum Arte

3D replica of Michelangelo's Prisoner (4117-1854), 2024

Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

Zhao Lin

Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Dic Jones, ex Bardic Chair-holder, farmer on school steps where Eisteddfod Englynion contest was held. _In the Night_: "No hymn of birds, no Tremor -- save the sounds of the sea's sad tenor, / The stars ascend in splendor / and the dark creeps round the door." Aberystwyth, Wales April 8, 1995., 1995

Not on view · National Gallery of Art

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, Allen Ginsberg, 1995

Allen Ginsberg

Poet Dafydd Rowlands above Laugharne Bay & Dylan Thomas' boat-house, we'd drive back from Aberystwyth Eisteddfod englynion competition, met Bardic Chair-holders Dic Jones, & we returned to Swansea Poetry festival where I'd stayed nearly a week, April 8, 1995, 1995

Not on view · National Gallery of Art

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., Allen Ginsberg, 1995

Allen Ginsberg

Welsh Poet Dafydd Rowlands & myself above Laugharne Bay & Dylan Thomas' Boat-house, he'd driven us back from Aberystwyth Eisteddfod englynion competition where we'd met ex-Bardic Chair-holder former Dic Jones, thence we returned to Swansea Poetry Festival where I'd stayed six days, April 5, 1995., 1995

Not on view · National Gallery of Art

View on the River Wye, Looking towards Chepstow, John Martin, 1844

John Martin

View on the River Wye, Looking towards Chepstow, 1844

Not on view · National Gallery of Art

Caerau, Wales, Robert Frank, 1953

Robert Frank

Caerau, Wales, 1953

Not on view · National Gallery of Art

Ben James, Coal Miner, Robert Frank, 1953

Robert Frank

Ben James, Coal Miner, 1953

Not on view · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Not on view · National Gallery of Art

Wales, Ben James, Robert Frank, 1953

Robert Frank

Wales, Ben James, 1953

Not on view · National Gallery of Art

What it shows

Wales

In the catalog

PaintingsOilBritish paintingRomanticismRealism19th centuryBritish SchoolVictorian