ART WIKI 32,963 on view

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ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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National Gallery of Art
The Last Supper

The Last Supper, Jacques Callot, c. 1618

Jacques Callot, portrait

Jacques CallotFrench, 1592–1635

The Last Supper

c. 1618 · Print

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked: 3 days ago
In this state since: Aug 19, 2026
Source: The museum

On the map Museum page

Particulars

c. 1618

15921635

Accession number: 1949.5.275

What it shows

Interior Group Christ Table Food

In the catalog

Prints Etching Baroque 17th century French

Sources

National Gallery of Art
Image: National Gallery of Art — Museum open access

Meanwhile, in the life of Jacques Callot

1611–1621 · Workplace
Florence
1614–1621
At the court of Cosimo II de’ Medici
Under Parigi’s direction Callot works at the court of the Grand Duke of Tuscany Cosimo II de’ Medici in the Uffizi, designing festivals and theatrical performances — later these give him themes for his series of grotesque prints; during his Florentine years he becomes an independent master and often works for the Medici.
1617
Switches to hard ground and repeated biting
From 1617 Callot uses, instead of the soft ground customary until then, the acid-resistant hard ground of Florentine joiners and furniture-makers; it allows the plate to be bitten repeatedly, with parts of the spatial planes successively covered by varnish, and gives broad tonal gradations; he is also credited with the échoppe, an etching needle with a slanted end that produces a swelling line.

More by Jacques Callot

Lust, Jacques Callot, 17th century

Lust

17th century · Harvard Art Museums

Temptation of Saint Anthony, Jacques Callot, 17th century

Temptation of Saint Anthony

17th century · Harvard Art Museums

Envy, Jacques Callot, 17th century

Envy

17th century · Harvard Art Museums

Pardon des Rochelois, Jacques Callot, 17th century

Pardon des Rochelois

17th century · Harvard Art Museums

Pride, Jacques Callot, 17th century

Pride

17th century · Harvard Art Museums

Anger, Jacques Callot, 17th century

Anger

17th century · Harvard Art Museums

Descente dans l'île de Ré, Jacques Callot, 17th century

Descente dans l'île de Ré

17th century · Harvard Art Museums

Gluttony, Jacques Callot, 17th century

Gluttony

17th century · Harvard Art Museums

Neighbors at National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · Interior

All works on the theme

Young Woman with a Water Pitcher, Johannes Vermeer, ca. 1662

Johannes Vermeer

Woman with a Water Jug, ca. 1662

The Metropolitan Museum of Art

Interior, Penitente Morada, Abiquiu, Northern New Mexico, Ansel Adams, c. 1930

Ansel Adams

Interior, Penitente Morada, Abiquiu, Northern New Mexico, c. 1930

Not on view · National Gallery of Art

Madame Georges Charpentier (Marguerite-Louise Lemonnier, 1848–1904) and Her Children, Georgette-Berthe (1872–1945) and Paul-Emile-Charles (1875–1895), Auguste Renoir, 1878

Pierre-Auguste Renoir

Madame Georges Charpentier and her Children, 1878

The Metropolitan Museum of Art

Potato Eaters, Vincent van Gogh, 1885

Vincent van Gogh

Potato Eaters, 1885

Not on view · National Gallery of Art

Boy and Sleeping Girl in Candlelight (Garçon et dormeuse à la chandelle), Pablo Picasso, 1934

Pablo Picasso

Boy and Sleeping Girl in Candlelight (Garçon et dormeuse à la chandelle), 1934

Not on view · National Gallery of Art

Two Women Waking Up (Deux Femmes au Réveil), Pablo Picasso, 1959, printed 1964

Pablo Picasso

Two Women Waking Up (Deux Femmes au Réveil), 1959, printed 1964

Not on view · National Gallery of Art

Faun Unveiling a Woman (Faune dévoilant une femme), Pablo Picasso, 1936

Pablo Picasso

Faun Unveiling a Woman (Faune dévoilant une femme), 1936

Not on view · National Gallery of Art

The Frugal Repast (Le repas frugal), Pablo Picasso, 1904, published 1913

Pablo Picasso

The Frugal Repast (Le repas frugal), 1904, published 1913

Not on view · National Gallery of Art