
André KertészAmerican, 1894–1985The L, New York
May one see it?
Not receiving at present
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- 1983.948
What it shows
In the catalog
Sources
- Art Institute of Chicago
- Image: Art Institute of Chicago — © the artist or rights holder
Meanwhile, in the life of André Kertész
The whole life15 October 1936
Emigrates to New York
Magazines emphasise political stories and stop publishing Kertész for his apolitical subjects; with commissions dropping and persecution of Jews increasing, he and Elizabeth decide to move, which may have saved his life, as four years later France would fall under Nazi occupation. They board the SS Washington and arrive in New York on 15 October 1936, living at the Beaux Arts Hotel in Greenwich Village; deprived of his artist friends, struggling with English and among Americans who reject having their photos taken on the street, he goes through a period he later calls the “absolute tragedy”.
December 1937
His first solo show in New York
In December 1937 Kertész has his first solo show in New York, at the PM Gallery.
1941
Designated enemy aliens
Because of the war the Kertész couple are designated enemy aliens (Hungary is fighting on the side of the Axis powers); he is not permitted to photograph outdoors or to have any project related to national security. Trying to avoid trouble, since Elizabeth has started a cosmetics company, Cosmia Laboratories, he ceases commissioned work and essentially disappears from the photographic world for three years.
1946
A solo exhibition at the Art Institute of Chicago
A solo exhibition at the Art Institute of Chicago features photographs from his Day of Paris series; Kertész later calls it one of his greatest times in the United States and says it was the first time he felt he received positive reviews.
1964
A solo show at MoMA under John Szarkowski
Soon after John Szarkowski becomes photography director at the Museum of Modern Art he features Kertész in a solo show; with his work critically acclaimed, Kertész gains recognition in the photographic world as an important artist, and his photographs go on to be shown in exhibitions throughout the world, even into his early nineties.
1977
His wife Elizabeth dies
Elizabeth, who had created and run a successful cosmetic business for years, dies of cancer; to deal with the loss, Kertész falls back on his new network of friends, often visiting them to talk. By this time he has learned basic English and speaks what his friends call “Kertészian”, a mixture of Hungarian, English and French.













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