The Grove, or Admiral's House, Hampstead, John Constable, 1821-1822
John Constable, portraitJohn ConstableBritish, 1776–1837

The Grove, or Admiral's House, Hampstead

1821-1822 · Oil painting · 24.5 × 29.2 cm

Can I see it?

Not on view at present

Where is “The Grove, or Admiral's House, Hampstead” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the painting

Constable painted this from the upper window of his house at 2 Lower Terrace, Hampstead. It depicts a property remodelled by a retired admiral. He called the main roof his quarterdeck and celebrated special occasions by firing cannons in salute. Ten years later Constable exhibited a painting of this subject titled A Romantic House at Hampstead.

Victoria and Albert Museum

Details

Accession number
137-1888

What it shows

In the catalog

Sources

In the life of John Constable

The whole life
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1821

    Son born: Charles Golding Constable

  3. 1821

    “I should paint my own places best”

    In a letter to his friend John Fisher in 1821 Constable wrote that he should paint his own places best, and that painting is but another word for feeling. The Dedham Vale around his home came to be known as “Constable Country”.

  4. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  5. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  6. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

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