The Flea Market, Paris, André Kertész, 1929, printed 1970s
André Kertész, portraitAndré KertészAmerican, 1894–1985

The Flea Market, Paris

1929, printed 1970s · Photograph

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Particulars

Accession number
1983.942

What it shows

In the catalog

Sources

Meanwhile, in the life of André Kertész

The whole life
  1. 1927

    His first solo exhibition at the Au Sacre du Printemps gallery

    Jan Slivinsky presents 30 of his photographs at the “Sacre du Printemps Gallery”, and Kertész becomes the first photographer to have a one-man exhibition. At the show Paul Dermée dubs him “Brother Seer” and “Brother Seeing Eye”, alluding to a medieval monastery where all the monks were blind but one; Kertész has become connected with members of the growing Dada movement.

  2. 1928

    Switches to a Leica

    He switches from plate-glass cameras to a Leica; this period is one of his most productive, with daily photographing divided between magazine commissions through the late 1920s and his personal pieces.

  3. 17 June 1933

    Marries Elizabeth

    Despite his mother’s death earlier that year, Kertész marries Elizabeth; he is said to have spent less time with his artist friends in favour of his new wife.

  4. 15 October 1936

    Emigrates to New York

    Magazines emphasise political stories and stop publishing Kertész for his apolitical subjects; with commissions dropping and persecution of Jews increasing, he and Elizabeth decide to move, which may have saved his life, as four years later France would fall under Nazi occupation. They board the SS Washington and arrive in New York on 15 October 1936, living at the Beaux Arts Hotel in Greenwich Village; deprived of his artist friends, struggling with English and among Americans who reject having their photos taken on the street, he goes through a period he later calls the “absolute tragedy”.

  5. 1964

    A solo show at MoMA under John Szarkowski

    Soon after John Szarkowski becomes photography director at the Museum of Modern Art he features Kertész in a solo show; with his work critically acclaimed, Kertész gains recognition in the photographic world as an important artist, and his photographs go on to be shown in exhibitions throughout the world, even into his early nineties.

  6. 1977

    His wife Elizabeth dies

    Elizabeth, who had created and run a successful cosmetic business for years, dies of cancer; to deal with the loss, Kertész falls back on his new network of friends, often visiting them to talk. By this time he has learned basic English and speaks what his friends call “Kertészian”, a mixture of Hungarian, English and French.

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