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  1. Collection/
  2. National Gallery of Art/
  3. The Farm
The Farm, Joan Miró, 1921-1922
Joan Miró, portraitJoan MiróSpanish, 1893–1983

The Farm

1921-1922 · Painting

May one see it?

Yes, receiving visitors

National Gallery of Art

Washington, D.C., United States

Room415B · East Building, Upper Level

On public display.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

About the painting

The Farm is an oil painting made by Joan Miró between the summer of 1921 in Mont-roig del Camp and winter 1922 in Paris. It is a kind of inventory of the masia (traditional Catalan farmhouse) owned by his family since 1911 in the town of Mont-roig del Camp. Miró himself regarded this work as a key in his career, describing it as "a summary of my entire life in the countryside" and "the summary of one period of my work, but also the point of departure for what was to follow." It now resides in the National Gallery of Art in Washington DC, where it was given in 1987 by Mary Hemingway, coming from the private collection of American writer Ernest Hemingway, who had described it by saying, “It has in it all that you feel about Spain when you are there and all that you feel when you are away and cannot go there. No one else has been able to paint these two very opposing things.”

Wikipedia · CC BY-SA

Particulars

1921-1922
18931983
Accession number
1987.18.1

What it shows

AgricultureFantasy

In the catalog

PaintingsOilSpanish paintingModernism20th centurySpanish

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — © the artist or rights holder

Meanwhile, in the life of Joan Miró

The whole life
  1. 1920

    Moves to Paris

    Inspired by Fauve and Cubist exhibitions, Miró was drawn to the artistic community gathering in Montparnasse and moved to Paris, though he continued to spend his summers in Catalonia.

  2. 1920

    Meets Picasso

    In Paris Miró met Picasso and other artists.

  3. 1921

    His first solo show in Paris

    Josep Dalmau arranged Miró's first Parisian solo exhibition at the Galerie la Licorne.

  4. 1924

    Joins the Surrealist circle

    Miró joined the Surrealist circle, whose dream-like automatism suited his symbolic and poetic art, but chose not to become an official member so as to experiment freely; Breton called him “the most Surrealist of us all”.

More by Joan Miró

All works
The Spanish Playing Cards, Joan Miró, 1920

The Spanish Playing Cards

1920 · Minneapolis Institute of Art

Head of a Catalan Peasant, Joan Miró, 1924

Head of a Catalan Peasant

1924 · National Gallery of Art

The Birth of the World, Joan Miró, Montroig, late summer-fall 1925

The Birth of the World

Montroig, late summer-fall 1925 · The Museum of Modern Art

Self-Portrait I, Joan Miró, Paris, October 1937-March 1938

Self-Portrait I

Paris, October 1937-March 1938 · The Museum of Modern Art

Moonbird, Joan Miró, 1966

Moonbird

1966 · The Museum of Modern Art

Flight of the Dragonfly in Front of the Sun, Joan Miró, 1968

Flight of the Dragonfly in Front of the Sun

1968 · National Gallery of Art

Personnage Gothique, Oiseau-Eclair (Gothic Personage, Bird-Flash), Joan Miró, model 1974, cast 1977

Personnage Gothique, Oiseau-Eclair (Gothic Personage, Bird-Flash)

model 1974, cast 1977 · National Gallery of Art

The Policeman, Joan Miró, 1925

The Policeman

1925 · Art Institute of Chicago

In the same room · EU-415-B, National Gallery of Art

Museum page
La condition humaine, René Magritte, 1933

René Magritte

La condition humaine, 1933

A Moment of Calm, Max Ernst, 1939

Max Ernst

A Moment of Calm, 1939

Fresh Widow, Marcel Duchamp, original 1920, fabricated 1964

Marcel Duchamp

Fresh Widow, original 1920, fabricated 1964

Shell No. I, Georgia O'Keeffe, 1928

Georgia O'Keeffe

Shell No. I, 1928

The Invisible Object (Hands Holding the Void), Alberto Giacometti, model 1934, cast 1935

Alberto Giacometti

The Invisible Object (Hands Holding the Void), model 1934, cast 1935

No More Play, Alberto Giacometti, 1931-1932

Alberto Giacometti

No More Play, 1931-1932

Shirt Front and Fork, Jean (Hans) Arp, 1922

Jean Arp

Shirt Front and Fork, 1922

The Forest, Jean (Hans) Arp, 1916

Jean Arp

The Forest, 1916

On the same theme · Agriculture

All works on the theme
Orchard, Portola Valley, California, Ansel Adams, c. 1940, printed 1980

Ansel Adams

Orchard, Portola Valley, California, c. 1940, printed 1980

Not on view · National Gallery of Art

Barn, Cape Cod, Massachusetts, Ansel Adams, c. 1937, printed 1981

Ansel Adams

Barn, Cape Cod, Massachusetts, c. 1937, printed 1981

Not on view · National Gallery of Art

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

National Gallery of Art

Flower Beds in Holland, Vincent van Gogh, c. 1883

Vincent van Gogh

Bulb Fields, c. 1883

Not on view · National Gallery of Art

The Harvest, Vincent van Gogh, 1888

Vincent van Gogh

The Harvest, 1888

Not on view · National Gallery of Art

The Olive Orchard, Vincent van Gogh, 1889

Vincent van Gogh

The Olive Orchard, 1889

Not on view · National Gallery of Art

The Windmill, Rembrandt van Rijn, 1641

Rembrandt van Rijn

The Windmill, 1641

Not on view · National Gallery of Art

The Mill, Rembrandt van Rijn, 1645/1648

Rembrandt van Rijn

The Mill, 1645/1648

Not on view · National Gallery of Art