Mary CassattAmerican, 1844–1926The Bath
May one see it?
Not receiving at present
The Cleveland Museum of Art
Cleveland, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
The Bath is related to the mother and child paintings and pastels Cassatt was making before she embarked upon the color prints. As her career progressed, the theme of mothers and children, physically close and psychologically absorbed in each other, would play an increasingly significant role in her art.
The Cleveland Museum of Art
Particulars
- Accession number
- 1941.70
In the catalog
Sources
- The Cleveland Museum of Art
- Image: Wikimedia Commons — CC0
Meanwhile, in the life of Mary Cassatt
The whole life1890s
Mentor to young Americans
The 1890s are the busiest and most creative period of Mary’s life: young American artists seek her advice and support, and she introduces Lucy A. Bacon to Camille Pissarro.
1891
Bertha Palmer commissions a mural
Chicago socialite Bertha Palmer asks Mary to paint a 12 × 58 ft mural on “Modern Woman” for the Women’s Building at the World’s Columbian Exposition of 1893. Palmer thought Cassatt an American treasure and could think of no one better.
1891
Colour prints inspired by Japanese woodcuts
Mary exhibits a series of highly original colour drypoints and aquatints, among them “Woman Bathing” and “The Coiffure”, inspired by the Japanese masters shown in Paris the year before. She was drawn to the simplicity and clarity of Japanese design and its skilful use of blocks of colour.
