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  1. Collection/
  2. Slovak National Gallery/
  3. Svätý Peter
Svätý Peter, Hendrick Goltzius, 1580–1600
Hendrick Goltzius, portraitHendrick GoltziusDutch, 1558–1617

Svätý Peter

1580–1600 · Print

May one see it?

Unknown

Slovak National Gallery

Bratislava, Slovakia

The owner is known; whether it is on view today is not.

In this state since
Sep 27, 2026
Source
The museum
On the mapMuseum page

Particulars

1580–1600
15581617

Meanwhile, in the life of Hendrick Goltzius

The whole life
  1. 1579

    Marriage to a wealthy widow

    At 21 he married a wealthy widow considerably older than himself. The "unequal marriage" gave him economic independence: he bought a house, opened his own engraving workshop, and two years later took on two apprentices.

  2. c. 1584

    Meeting Karel van Mander

    He met the painter and his future biographer Karel van Mander, a refugee from Flanders, who introduced him to the drawings of Bartholomeus Spranger, then working in Prague for Rudolf II. Spranger's works exerted a significant influence on Goltzius's art.

  3. 1587

    Founding of the Haarlem Academy

    Together with Cornelis van Haarlem and Karel van Mander he founded an academy of art in Haarlem, later known as the Haarlem Mannerist Academy (some sources give 1583 or 1600). There, for the first time in the Netherlands, systematic study of anatomy and drawing from the nude model were introduced.

  4. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  5. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

More by Hendrick Goltzius

All works

From the collection of Slovak National Gallery

Museum page
  • c. 1600

    Abandoning engraving for painting

    Around 1600, partial paralysis of his right hand (maimed in childhood in a fall onto burning coals) forced Goltzius to give up engraving and turn to painting; he handed over his print publishing to his stepson Jacob Matham. About fifty surviving paintings are attributed to him.

  • In the catalog

    PrintsRenaissance16th century

    Sources

    • Slovak National Gallery
    • Image: Slovak National Gallery — Public Domain Mark 1.0
    Lot and his Daughters, Hendrick Goltzius, 1616

    Lot and his Daughters

    1616 · Rijksmuseum

    Fall of Man, Hendrick Goltzius, 1608

    Fall of Man

    1608 · State Hermitage Museum

    Baptism, Hendrick Goltzius, 1608

    Baptism

    1608 · State Hermitage Museum

    Dying Adonis, Hendrick Goltzius, 1609

    Dying Adonis

    1609 · Rijksmuseum

    Vertumnus and Pomona, Hendrick Goltzius, 1613

    Vertumnus and Pomona

    1613 · Rijksmuseum

    The Fall of Man, Hendrick Goltzius, 1616

    The Fall of Man

    1616 · National Gallery of Art

    Apollo, Hendrick Goltzius, 1588

    Apollo

    1588 · The Cleveland Museum of Art

    Apollo Belvedere, Hendrick Goltzius, 1592

    Apollo Belvedere

    1592 · The Cleveland Museum of Art

    Muž so zlatou helmou, Rembrandt, 20th century

    Rembrandt van Rijn

    Muž so zlatou helmou, 20th century

    Krst eunucha (Sk 8, 26-39), Rembrandt, 1641

    Rembrandt van Rijn

    Krst eunucha (Sk 8, 26-39), 1641

    Marc Agripe, Rembrandt, 1640–1660

    Rembrandt van Rijn

    Marc Agripe, 1640–1660

    Ukameňovanie svätého Štefana (Sk 7, 55-60), Rembrandt, 1635

    Rembrandt van Rijn

    Ukameňovanie svätého Štefana (Sk 7, 55-60), 1635

    Potulní muzikanti, Rembrandt, 1635–1650

    Rembrandt van Rijn

    Potulní muzikanti, 1635–1650

    Ukrižovanie, Rembrandt, 1625–1645

    Rembrandt van Rijn

    Ukrižovanie, 1625–1645

    Detail podobizne Viliama Burggraeffa, Rembrandt, 17th century

    Rembrandt van Rijn

    Detail podobizne Viliama Burggraeffa, 17th century

    Pohľad na baziliku S. Croce in Gerusalemme v Ríme, Giovanni Battista Piranesi, 1765

    Giovanni Battista Piranesi

    Pohľad na baziliku S. Croce in Gerusalemme v Ríme, 1765