Sv.Hieroným, Hendrick Goltzius, 1580–1610
Hendrick Goltzius, portraitHendrick GoltziusDutch, 1558–1617

Sv.Hieroným

1580–1610 · Print

May one see it?

Unknown

Slovak National Gallery

Bratislava, Slovakia

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

Particulars

In the catalog

Sources

Meanwhile, in the life of Hendrick Goltzius

The whole life
  1. 1579

    Marriage to a wealthy widow

    At 21 he married a wealthy widow considerably older than himself. The "unequal marriage" gave him economic independence: he bought a house, opened his own engraving workshop, and two years later took on two apprentices.

  2. c. 1584

    Meeting Karel van Mander

    He met the painter and his future biographer Karel van Mander, a refugee from Flanders, who introduced him to the drawings of Bartholomeus Spranger, then working in Prague for Rudolf II. Spranger's works exerted a significant influence on Goltzius's art.

  3. 1587

    Founding of the Haarlem Academy

    Together with Cornelis van Haarlem and Karel van Mander he founded an academy of art in Haarlem, later known as the Haarlem Mannerist Academy (some sources give 1583 or 1600). There, for the first time in the Netherlands, systematic study of anatomy and drawing from the nude model were introduced.

  4. 1590

    Departure for Italy

    He fled from his wife and, despite his illnesses, set out for Italy — via Hamburg and Munich to Venice, Bologna and Florence. Part of the way he traveled on foot, passing himself off as a commoner, "partly out of a love of mystification."

  5. January 1591

    Eight months in Rome

    He arrived in Rome in January 1591 and stayed eight months (with a brief sojourn in Naples). He discovered Raphael, was especially impressed by Michelangelo and Giambologna, and studied art from classical sculpture to the masters of the Renaissance.

  6. c. 1600

    Abandoning engraving for painting

    Around 1600, partial paralysis of his right hand (maimed in childhood in a fall onto burning coals) forced Goltzius to give up engraving and turn to painting; he handed over his print publishing to his stepson Jacob Matham. About fifty surviving paintings are attributed to him.

All works

From the collection of Slovak National Gallery

Museum page