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  1. Collection/
  2. The Museum of Modern Art/
  3. Study for Tea Pot (by Ocean with Shells), project (Perspective)
Study for Tea Pot (by Ocean with Shells), project (Perspective), Ettore Sottsass, 1973
Ettore Sottsass, portraitEttore SottsassItalian, 1917–2007

Study for Tea Pot (by Ocean with Shells), project (Perspective)

1973 · Architecture

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
8 days ago
Source
The museum
On the mapMuseum page

Particulars

1973 · aged 56
19172007
Accession number
1300.2000

In the catalog

Post-war art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

More by Ettore Sottsass

All works
Preliminary Project for Microenvironment, Ettore Sottsass, c.1971

Preliminary Project for Microenvironment

c.1971 · Not on view · The Museum of Modern Art

Preliminary Project for Microenvironment, Element for Landscape Home, Ettore Sottsass, c.1971

Preliminary Project for Microenvironment, Element for Landscape Home

c.1971 · Not on view · The Museum of Modern Art

The Planet as Festival: Study for Design of a Stadium to Watch the Stars, project (Aerial perspective), Ettore Sottsass, 1972-73

The Planet as Festival: Study for Design of a Stadium to Watch the Stars, project (Aerial perspective)

1972-73 · Not on view · The Museum of Modern Art

The Planet as Festival: Study for Rafts for Listening to Chamber Music, project (Perspective), Ettore Sottsass, 1972–1973

The Planet as Festival: Study for Rafts for Listening to Chamber Music, project (Perspective)

1972–1973 · Not on view · The Museum of Modern Art

The Planet as Festival: Study for Design of a Stadium for Rock Concerts, project (Aerial perspective), Ettore Sottsass, 1972-73

The Planet as Festival: Study for Design of a Stadium for Rock Concerts, project (Aerial perspective)

1972-73 · Not on view · The Museum of Modern Art

The Planet as Festival: Design of a Roof to Discuss Under, project (Perspective), Ettore Sottsass, 1972-73

The Planet as Festival: Design of a Roof to Discuss Under, project (Perspective)

1972-73 · Not on view · The Museum of Modern Art

The Planet as Festival: Gigantic Work, Panoramic Road with View on the Irrawaddy River and the Jungle, project (Aerial perspective), Ettore Sottsass, 1972-73

The Planet as Festival: Gigantic Work, Panoramic Road with View on the Irrawaddy River and the Jungle, project (Aerial perspective)

1972-73 · Not on view · The Museum of Modern Art

The Planet as Festival: Study for a Dispenser of Incense, LSD, Marijuana, Opium, Laughing Gas, project (Perspective), Ettore Sottsass, 1972–1973

The Planet as Festival: Study for a Dispenser of Incense, LSD, Marijuana, Opium, Laughing Gas, project (Perspective)

1972–1973 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950