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  3. Study for "Le Petit Pont"
Study for "Le Petit Pont", Charles Meryon, probably c. 1850

Study for "Le Petit Pont"

probably c. 1850 · Drawing

Particulars

probably c. 1850
18211868
Accession number
1943.3.6192

More by Charles Meryon

All works

Neighbors at National Gallery of Art

Museum page

On the same theme · Vehicle

All works on the theme
Charles Meryon, portraitCharles MeryonFrench, 1821–1868

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

What it shows

VehicleBoat

In the catalog

Drawings & watercolorsGraphiteRealism19th centuryFrench

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — Museum open access
Chasse-maree au plus pres, Charles Meryon

Chasse-maree au plus pres

Not on view · National Gallery of Art

Boats on River with Masts, Charles Meryon

Boats on River with Masts

Not on view · National Gallery of Art

Tikao, naturel d'Akaroa, Charles Meryon

Tikao, naturel d'Akaroa

Not on view · National Gallery of Art

Das ehemalige Schloss Sauvé in Bouzy-La-Fôret, Charles Méryon

Das ehemalige Schloss Sauvé in Bouzy-La-Fôret

Albertina

La Panne, Charles Meryon, 1839

La Panne

1839 · Not on view · National Gallery of Art

Le Pavillion de Mlle. et une partie du Louvre, Charles Meryon after Reinier Nooms, called Zeeman, 1849

Le Pavillion de Mlle. et une partie du Louvre

1849 · Not on view · National Gallery of Art

Oever van Seine met Pavillon de Mademoiselle en gedeelte van Louvre aan overkant, Charles Meryon, 1849

Oever van Seine met Pavillon de Mademoiselle en gedeelte van Louvre aan overkant

1849 · Rijksmuseum

Les trois cochons couchés devant l'étable (Three Swine Lying In Front of a Sty), Charles Meryon after Karel Dujardin, 1850

Les trois cochons couchés devant l'étable (Three Swine Lying In Front of a Sty)

1850 · Not on view · National Gallery of Art

Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

Colorado Parking Lot, Andy Warhol, n.d.

Andy Warhol

Colorado Parking Lot, n.d.

Not on view · National Gallery of Art

Automobilist, Marc Chagall, 1922

Marc Chagall

Automobilist, 1922

Not on view · National Gallery of Art

House in Vitebsk, Marc Chagall, 1922

Marc Chagall

House in Vitebsk, 1922

Not on view · National Gallery of Art

The Trap, Henri de Toulouse-Lautrec, 1880

Henri de Toulouse-Lautrec

The Trap, 1880

Not on view · National Gallery of Art

William Burroughs, 11 PM late March 1985, being driven home to 222 Bowery. Experimenting with hand held half-second Rolleiflex exposure, camera upside down for view, Burroughs phantom in street light stop sign illumination fuzzy, couldn’t move back further to focus sharper, I was in rear seat., Allen Ginsberg, 1985

Allen Ginsberg

William Burroughs, 11 PM late March 1985, being driven home to 222 Bowery. Experimenting with hand held half-second Rolleiflex exposure, camera upside down for view, Burroughs phantom in street light stop sign illumination fuzzy, couldn’t move back further to focus sharper, I was in rear seat., 1985

Not on view · National Gallery of Art

View of a Street in an Urban Landscape, Mark Rothko, mid-1930s

Mark Rothko

View of a Street in an Urban Landscape, mid-1930s

Not on view · National Gallery of Art

Kingston Bank, No.2, Frank Short, after Joseph Mallord William Turner, 1896

Joseph Mallord William Turner

Kingston Bank, No.2, 1896

Not on view · National Gallery of Art

Horses in a Meadow, Edgar Degas, 1871

Edgar Degas

Horses in a Meadow, 1871

Not on view · National Gallery of Art