Studie til den lammes hoved, Jean-Baptiste Greuze, 1761-1765
Jean Baptiste Greuze, portraitJean Baptiste GreuzeFrench, 1725–1805

Studie til den lammes hoved

1761-1765 · Drawing

Can I see it?

Not on view at present

Where is “Studie til den lammes hoved” now? Collection: SMK — National Gallery of Denmark, Copenhagen. Not on view at present. Checked October 12, 2026.

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum
Embed

Details

Accession number
KKS1994-150

In the catalog

Sources

  • SMK
  • Image: SMK — National Gallery of Denmark — public domain

In the life of Jean Baptiste Greuze

The whole life
  1. 3 February 1759

    Marries Anne-Gabrielle Babuti

    Greuze marries Anne-Gabrielle Babuti, daughter of François Babuti, a bookseller on the Quai des Augustins; he will paint his father-in-law’s portrait in 1761.

  2. 16 April 1762

    Daughter born: Anna-Geneviève Greuze

  3. 1763

    The Paralytic and the triumph of the Salon of 1763

    Greuze exhibits at the Salons of 1759, 1761 and 1763 with growing success; the high point is The Paralytic (1763), which immediately wins unheard-of fame. The painting is bought by Empress Catherine II on the recommendation of Diderot, one of its most passionate admirers.

  4. 1765

    The Salon of 1765: thirteen paintings and the height of his fame

    At the Salon Greuze is represented by thirteen works, among them Young Girl Weeping for Her Dead Bird, The Good Mother, The Bad Son Punished and The Father’s Curse (the last two now in the Louvre); this is the zenith of his fame. He continues his series of pictures on upbringing and the relations between fathers and children, one of the great questions of the Enlightenment.

  5. 1765–1769

    The Academy demands his diploma piece and bars him from exhibiting

    The Academy presses Greuze for his long-delayed diploma picture and forbids him to exhibit on its walls until he complies with its regulations. Diderot calls the Academy’s letter a model of honesty and reverence and Greuze’s reply a model of vanity and impertinence: he should have backed it up with a masterpiece, which he did not.

All works

On view at SMK — National Gallery of Denmark

Museum page