ART WIKI33,040 on view
MapCollectionArtistsMuseumsExhibitionsJournal
Sign in

ART WIKI

Where the masterpiece hangs, and when they let you in.

Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

Sections

  • Map
  • Search
  • Collection
  • Masterpieces
  • On view now
  • Artists

More

  • Museums & galleries
  • Exhibitions
  • Journal
  • Where the data comes from
  • Privacy & cookies
HomeMapBrowse
  1. Collection/
  2. Minneapolis Institute of Art/
  3. Standing Female Nude
Standing Female Nude, Conrad Meyer, c. 1650–89
Conrad Meyer, portraitConrad MeyerSwiss, 1618–1689

Standing Female Nude

c. 1650–89 · Drawing

May one see it?

Not receiving at present

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
9 days ago
In this state since
Sep 25, 2026
Source
The museum
On the mapMuseum page

About the work

Born into a family of artists, Conrad Meyer is best known as a prolific printmaker and popular painter of portraits. Standing Female Nude was almost certainly drawn from life. The figure’s pose, however, calls to mind the subject of Eve, as seen perhaps most famously in Albrecht Dürer’s engraving of 1504.

Standing in classic contrapposto, Meyer’s figure covers her pudenda with a small bit of drapery held in her right hand. Her slightly lowered head is turned to her right, and her eyes look up. Her left arm and hand are extended in a rhetorical gesture. She seems almost to look toward a here-absent Adam while pointing at a culpable serpent. Though this hypothetical identity as Eve fits, given the extent of Meyer’s allegorical output the figure may stand for chastity or some other quality.

Minneapolis Institute of Art

Particulars

c. 1650–89
16181689
Accession number
2011.22

In the catalog

Drawings & watercolorsChalkBaroque17th centurySwitzerland

Sources

  • Minneapolis Institute of Art
  • Image: Minneapolis Institute of Art — public domain

More by Conrad Meyer

All works
Allegory of Poverty and Wealth, Conrad Meyer

Allegory of Poverty and Wealth

Not on view · National Gallery of Art

Providing for the Unclothed, Conrad Meyer

Providing for the Unclothed

Not on view · National Gallery of Art

Caring for the Ill, Conrad Meyer

Caring for the Ill

Not on view · National Gallery of Art

Burying the Dead, Conrad Meyer

Burying the Dead

Not on view · National Gallery of Art

Title Page, Conrad Meyer

Title Page

Not on view · National Gallery of Art

Consolation of the Imprisoned, Conrad Meyer

Consolation of the Imprisoned

Not on view · National Gallery of Art

Lodging of the Travelers, Conrad Meyer

Lodging of the Travelers

Not on view · National Gallery of Art

Feeding the Hungry, Conrad Meyer

Feeding the Hungry

Not on view · National Gallery of Art

Neighbors at Minneapolis Institute of Art

Museum page
Olive Trees, Vincent van Gogh, 1889

Vincent van Gogh

Olive Trees, 1889

Grainstack, Sun in the Mist, Claude Monet, 1891

Claude Monet

Grainstack, Sun in the Mist, 1891

Lucretia, Rembrandt van Rijn, 1666

Rembrandt van Rijn

Lucretia, 1666

Self-Portrait with Dr. Arrieta, Francisco José de Goya y Lucientes, 1820

Francisco de Goya

Self-Portrait with Dr. Arrieta, 1820

Study for Improvisation V, Vassily Kandinsky, 1910

Vasily Kandinsky

Study for Improvisation V, 1910

Tahitian Landscape, Paul Gauguin, 1891

Paul Gauguin

Tahitian Landscape, 1891

Chestnut Trees at Jas de Bouffan, Paul Cézanne, c. 1885–86

Paul Cézanne

Chestnut Trees at Jas de Bouffan, c. 1885–86

The Union of England and Scotland (Charles I as the Prince of Wales), Peter Paul Rubens, 1633–34

Peter Paul Rubens

The Union of England and Scotland (Charles I as the Prince of Wales), 1633–34