Special No. 21, Georgia O'Keeffe, 1916-1917
Georgia O'Keeffe, portraitGeorgia O'KeeffeAmerican, 1887–1986

Special No. 21

1916-1917 · Painting; Oil on canvas · 13 3/8 x 16 1/8 in

May one see it?

No: it was stolen and is being sought

Listed in the FBI's National Stolen Art File under no. 00164.

Checked
· Reported
In this state since
Source
A register of stolen art

About the painting

Red and orange modern landscape depicting Palo Duro Canyon in Texas.

Particulars

In the catalog

Sources

Meanwhile, in the life of Georgia O'Keeffe

The whole life
  1. spring 1914

    Class with Arthur Wesley Dow at Columbia University

    In the spring she took a class with Dow himself at Teachers College, Columbia University; he influenced still further her thinking about how art is made.

  2. early 1916

    O’Keeffe’s drawings reach Stieglitz

    She mailed the charcoal drawings to her friend and former Teachers College classmate Anita Pollitzer, who took them to Stieglitz at his gallery 291 early in the year. He prized their purity and sincerity and said he would like to show them.

  3. April 1916

    Ten of her drawings shown at gallery 291

    In April Stieglitz exhibited ten of her drawings at his gallery 291, which promoted avant-garde American and European artists and photographers.

  4. 1917

    Exhibition of her work organised by Stieglitz

    Stieglitz held an exhibition of her work, and O’Keeffe came to New York to see it. From that visit he began to photograph her — and went on doing so for many years, often in the nude.

  5. 1918

    Stieglitz leaves his family for O’Keeffe

    Within a month Stieglitz took the first of many nude photographs of her at his family’s apartment while his wife was away; his wife came home and gave him an ultimatum, and he left at once and moved in with O’Keeffe. The divorce, delayed by his first wife and her family, took six years — until the wedding in December 1924.

  6. June 1918

    Moves to New York at Stieglitz’s invitation

    Stieglitz invited her to live and work in New York, promising a quiet studio and to underwrite a year of painting; to accept she resigned from teaching at West Texas State. He discouraged her use of watercolour, which was associated with amateur women artists.

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