Claes OldenburgAmerican, 1929–2022Soft Light Switches– “Ghost Version” II
May one see it?
Not receiving at present
Art Institute of Chicago
Chicago, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum's own collection data
Particulars
- Accession number
- 2020.572
In the catalog
Sources
- Art Institute of Chicago: the museum's own open data · fetched 7 days ago
- Image: Art Institute of Chicago — © the artist or rights holder
Meanwhile, in the life of Claes Oldenburg
The whole life1960s
Happenings of the “Ray Gun Theater”
In the 1960s Oldenburg, now associated with Pop art, staged happenings he called the “Ray Gun Theater”, with Lucas Samaras, Tom Wesselmann, Carolee Schneemann and others; his first wife Patty Mucha, who sewed many of his early soft sculptures — “Floor Hamburger”, “Floor Cone”, “Floor Cake” — was a constant performer.
1963
Move to Los Angeles, “the most opposite thing to New York”
In 1963 Oldenburg moved to Los Angeles “because it was the most opposite thing to New York [he] could think of”.
1965
Projects for imaginary monuments
From 1965 Oldenburg drew projects for imaginary outdoor monuments — at first small collages: a fat, fuzzy teddy bear looming over the fields of Central Park (1965), lipsticks in Piccadilly Circus, London (1966).
1966
Solo show at the Moderna Museet
In 1966 Pontus Hultén organised a solo exhibition of Oldenburg's work at the Moderna Museet.
