Shepherd Sitting on a Mound, Salvator Rosa, 1651-1656
Salvator Rosa, portraitSalvator RosaItalian, 1615–1673

Shepherd Sitting on a Mound

1651-1656 · Print

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Not on view at present

Where is “Shepherd Sitting on a Mound” now? Collection: Harvard Art Museums, Cambridge. Not on view at present. Checked September 29, 2026.

Harvard Art Museums

Cambridge, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
G3379

In the catalog

Sources

In the life of Salvator Rosa

The whole life
  1. 1640–1649

    Florentine Period at the Medici Court

    After scandalous quarrels with Bernini and his failure to gain admission to the Accademia di San Luca, he moved to Florence at the invitation of Giovanni Carlo de' Medici, where he remained until 1649.

  2. 1640s

    Founding of the Accademia dei Percossi in Florence

    In Florence he founded the Accademia dei Percossi — a combination of studio and salon of poets, playwrights, and painters, where satires and comedies were read at dinners.

  3. 1640s

    The Satires "Music," "Poetry," "Painting," and "War"

    While staying with the Maffei brothers in Volterra, he wrote four satires — Music, Poetry, Painting, and War; at the same time he painted the picture Philosophy (now in the National Gallery, London).

  4. 1650

    Return to Rome, Seclusion

    He returned to Rome, kept to himself, and accepted no commissions, devoting himself to battle scenes and enigmatic landscapes, which he sold through his friend, the banker Carlo de Rossi.

  5. 1650s

    Scandal over the "Allegory of Fortune"

    The painting Allegory of Fortune provoked a storm of indignation among the religious and secular authorities, who saw in it a satire on themselves; Rosa came close to arrest and published a text offering innocuous interpretations of its imagery.

  6. 1656

    Plague in Naples: Death of His Son and Relatives

    Under pressure from his enemies in Rome, he sent Lucrezia and his son Rosalvo to relatives in Naples; the plague epidemic that broke out claimed the lives of Rosalvo, his brother, his sister, his brother-in-law, and their children — Lucrezia survived and returned to Rome alone.

All works

On view at Harvard Art Museums

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