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  1. Collection/
  2. Musée d'Art moderne de Paris/
  3. Serpentins I
Serpentins I, Francis Picabia, 1918 1919
Francis Picabia, portraitFrancis PicabiaFrench, 1879–1953

Serpentins I

1918 1919 · Painting · 83 × 63 cm

May one see it?

Unknown

Musée d'Art moderne de Paris

Paris, France

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

1918 1919
18791953
Accession number
AMVP 2834

In the catalog

PaintingsInkFrench paintingModernism20th century

Sources

  • Musée d'Art moderne de Paris
  • Image: Musée d'Art moderne de Paris — © Adagp, Paris - Crédit photographique : Phillipe Joffre/Parisienne de Photographie; Ministère de la Culture (France), base Joconde

Meanwhile, in the life of Francis Picabia

The whole life
  1. 1915–1917

    Leading New York Dada with Duchamp

    Throughout his three years in New York Picabia mixed closely with avant-garde artists and, together with Marcel Duchamp, headed the New York section of the Dada movement.

  2. 1916

    Founds the Dada magazine 391

    In Barcelona, among a small circle of artists who had fled the war (Gleizes, Marie Laurencin, Robert and Sonia Delaunay), Picabia started his magazine 391, modelled on Stieglitz's periodical, and continued it in the United States with Duchamp's help. Other accounts say it was founded in New York and later published in Zürich and Paris until 1924.

  3. c. 1919

    Treatment in Zürich and meeting Tzara

    While seeking treatment in Zürich for depression and suicidal impulses, Picabia met Tristan Tzara, whose radical ideas thrilled him. Back in Paris with his mistress Germaine Everling, he found himself among the Dadaists — Breton, Éluard, Soupault and Aragon, who met at Certa, a Basque bar.

  4. 15 September 1919

    Son born: Vincent Martinez-Picabia

  5. 1920

    Edits the magazine Cannibale

    In 1920 Picabia edited the magazine Cannibale, even more radical than his own review 391.

  6. 1921

    Renounces Dada

    In 1921, having developed an interest in Surrealism, Picabia publicly denounced Dada. Of his changes of course he wrote: “If you want to have clean ideas, change them like shirts.”

More by Francis Picabia

All works
The Procession, Seville, Francis Picabia, 1912

The Procession, Seville

1912 · National Gallery of Art

The Spring, Francis Picabia, Saint Cloud, spring or summer 1912

The Spring

Saint Cloud, spring or summer 1912 · The Museum of Modern Art

Tarentelle, Francis Picabia, Paris, January - early June 1912

Tarentelle

Paris, January - early June 1912 · The Museum of Modern Art

I See Again in Memory My Dear Udnie, Francis Picabia, Paris, June - July 1914

I See Again in Memory My Dear Udnie

Paris, June - July 1914 · The Museum of Modern Art

Edtaonisl (Ecclesiastic), Francis Picabia, 1913

Edtaonisl (Ecclesiastic)

1913 · Art Institute of Chicago

Untitled (Match-Woman I), Francis Picabia, 1920

Untitled (Match-Woman I)

1920 · Art Institute of Chicago

Painting of Madame X, Francis Picabia, 1927/30

Painting of Madame X

1927/30 · Art Institute of Chicago

Untitled, Francis Picabia, 1948

Untitled

1948 · The Cleveland Museum of Art