Sea Fortifications, Utagawa Hiroshige, ca.1853 - ca.1855
Utagawa Hiroshige, portraitUtagawa HiroshigeJapanese, 1797–1858

Sea Fortifications

ca.1853 - ca.1855 · Painting · 13.8 × 21.5 cm

Can I see it?

Not on view at present

Where is “Sea Fortifications” now? Collection: Victoria and Albert Museum, London. Not on view at present. Checked September 25, 2026.

Victoria and Albert Museum

London, United Kingdom

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the painting

As an artist, Utagawa Hiroshige is best known for the ukiyo-e prints and albums he designed. However, many of the artists who designed ukiyo-e prints during the Edo Period (1615-1868) also painted pictures. These paintings were not meant to be used as designs for prints, as these were generally based on much freer sketches. Instead, they were individual works, purchased by a wealthier clientele.

Working with ink on silk, Hiroshige uses light strokes to show sea fortifications off the coast of the city of Edo (modern-day Tokyo).

The sudden arrival of American 'Black Ships' in Uraga Harbour in 1853 presaged the end of over two hundred years of self-imposed national seclusion. Nervousness about the country's security soon led to the building of sea fortifications in Edo Bay. In this painting, their presence casts an uncertain air over an otherwise peaceful water scene.

Victoria and Albert Museum

Details

Accession number
E.336-1954

In the catalog

Sources

In the life of Utagawa Hiroshige

The whole life
  1. 1856

    He becomes a Buddhist monk

    In 1856 Hiroshige “retired from the world”, becoming a Buddhist monk; this was the year he began his “One Hundred Famous Views of Edo”.

  2. 1856

    Luxury editions with the publisher Uoya Eikichi

    Working with the publisher Uoya Eikichi, Hiroshige created a series of luxury edition prints using the finest printing techniques: true gradation of color, mica for an iridescent effect, embossing, fabric printing, blind printing and glue printing.

  3. 1856–1858

    One Hundred Views of Edo: a priest pays up front

    His great “One Hundred Famous Views of Edo” was paid for up front by a wealthy Buddhist priest in love with the daughter of the publisher Uoya Eikichi, a former fishmonger. Hiroshige was usually poorly paid per series, yet he remained capable of remarkable art when the conditions were right.

All works

On view at Victoria and Albert Museum

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