Saint Paul on Malta, Adam Elsheimer, c. 1600
Adam Elsheimer, portraitAdam ElsheimerGerman, 1578–1610

Saint Paul on Malta

c. 1600 · Painting · 16.8 × 21.3 cm

Can I see it?

Yes, on view now

Where is “Saint Paul on Malta” now? The National Gallery, Room 27, London. Yes, on view now. Checked October 12, 2026.

The National Gallery

London, United Kingdom

Room27

Closed· opens at 10:00 AM

On public display.

Checked
In this state since
Source
The museum's website
Embed

Details

Accession number
NG3535

In the catalog

Display history

  1. On view · Room 27

    The National Gallery · Oct 12, 2026 — now · Verified

  2. Whether it was on view is unknown

    The National Gallery · Sep 29, 2026 — Oct 12, 2026 · Unconfirmed

Sources

  • Wikidata
  • Image: The National Gallery — Adam Elsheimer · Public domain · Wikimedia Commons

In the life of Adam Elsheimer

The whole life
  1. 1598

    Sets out for Italy via Munich

    At twenty he travelled to Italy, and he is documented in Munich in 1598. His teacher Philipp Uffenbach specialised in large altarpieces, whereas Elsheimer’s earliest small paintings on copper seem to date from before he reached Italy.

  2. early 1600

    Arrives in Rome

    He arrives in Rome in early 1600. His stay in Venice is undocumented, but its influence on his style is clear: he is believed to have painted “The Baptism of Christ” (London) and “The Holy Family” (Berlin) there, which show the influence of Tintoretto, Veronese and Rottenhammer.

  3. 1600

    Befriends Faber and Bril in Rome

    Soon after arriving he befriends contacts of Rottenhammer: Giovanni Faber, a papal doctor, botanist and collector from Bamberg who was curator of the Vatican Botanical Garden, and the Flemish landscape painter Paul Bril, long established in Rome. Both had converted from Lutheranism to Catholicism, as Elsheimer would later do.

  4. 1601

    Meets Rubens

    Rubens, who was in Rome in 1601 and knew both Faber and Bril, becomes another friend of Elsheimer and later reproaches him for not producing more work. Elsheimer also knew David Teniers the Elder, recently Rubens’ pupil, and there is evidence that the two lodged together.

All works

In the same room · Room 27, The National Gallery

Museum page