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  1. Collection/
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  3. Руины
Руины, Roy Lichtenstein, 1965
Roy Lichtenstein, portraitRoy LichtensteinAmerican, 1923–1997

Руины

1965 · Painting · 170 × 200 cm

About the painting

In the museum's own words — in Russian

Руины и пейзаж сведены к простым геометрическим формам. Картина относится к серии работ, в которых художник исследует соотношение света и тени. В этой связи он часто выбирает архитектурные сюжеты. В данном произведении фрагменты колонн на переднем плане отсылают зрителя к античной классике. Лихтенштейн, известнейший представитель поп-арта, использует и здесь характерный для него стилистический прием, взятый из комиксов. Изготовленные способом массовой печати, комиксы, если их разглядывать через лупу, оказываются составленными из типичных растровых точек, которые, проходя через глаз зрителя, конструируются в форму и цвет. Лихтенштейн возводит эти растровые точки в принцип своего художественного творчества, создавая тем самым легко узнаваемую собственную марку. В этом смысле его работы можно считать изображениями печатных изображений.

Read on

Подобно Джасперу Джонсу, он стремится объединить предметность и абстракцию, однако его творческая установка имеет отчетливую общественно-критическую доминанту, в то время как Джаспер Джонс в гораздо большей степени занят художественно-теоретическими вопросами.

State Russian Museum

Particulars

1965 · aged 42
19231997
Accession number
HT-273

Meanwhile, in the life of Roy Lichtenstein

The whole life
  1. 1963–1964

    Leaves Rutgers and returns to New York

    In September 1963 Lichtenstein took a leave of absence from Douglass College at Rutgers; in 1964 he moved back to New York to be at the centre of the art scene and resigned from Rutgers to concentrate on his painting.

  2. 1964

    The first American to exhibit at the Tate Gallery

    Lichtenstein became the first American to exhibit at the Tate Gallery in London, in the show “’54–’64: Painting and Sculpture of a Decade”.

  3. 1964

    Life magazine asks: “Is He the Worst Artist in the U.S.?”

    When Lichtenstein’s work was first exhibited, many critics challenged its originality and called it vulgar and empty; a Life magazine article of 1964 was headed “Is He the Worst Artist in the U.S.?”. The artist replied that the closer his work is to the original, the more threatening and critical its content.

  4. 1965

    Divorce from Isabel

    The brutal upstate winters, where Lichtenstein had been teaching since 1958, took a toll on him and his wife. They sold the family home in Highland Park, New Jersey, in 1963 and divorced in 1965.

  5. 1967

    First museum retrospective in Pasadena

    In 1967 the Pasadena Art Museum in California held Lichtenstein’s first museum retrospective.

More by Roy Lichtenstein

All works

Neighbors at State Russian Museum

Museum page

1967

First solo exhibitions in Europe

In the same year, 1967, Lichtenstein’s first solo exhibition in Europe was held at museums in Amsterdam, London, Bern and Hannover.

May one see it?

Yes, receiving visitors

State Russian Museum

Saint Petersburg, Russia

RoomMramornyy dvorets, Zal 24

On public display.

Checked
10 days ago
In this state since
Sep 28, 2026
Source
The museum
On the mapMuseum page

In the catalog

PaintingsAcrylicAmerican paintingPost-war art20th centuryPop artLandscape painting

Sources

  • State Russian Museum
  • Image: State Russian Museum — © State Russian Museum
Entablature, Roy Lichtenstein, 1974

Entablature

1974 · National Gallery of Art

Painting with Statue of Liberty, Roy Lichtenstein, 1983

Painting with Statue of Liberty

1983 · National Gallery of Art

House I, Roy Lichtenstein, model 1996, fabricated 1998

House I

model 1996, fabricated 1998 · National Gallery of Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Untitled [pyramid], Roy Lichtenstein, c. 1970

Untitled [pyramid]

c. 1970 · Whitney Museum of American Art

Два овала, Vasily Kandinsky, 1919

Vasily Kandinsky

Два овала, 1919

Синий гребень, Vasily Kandinsky, 1917

Vasily Kandinsky

Синий гребень, 1917

Импровизация 11, Vasily Kandinsky, 1910

Vasily Kandinsky

Импровизация 11, 1910

Reply of the Zaporozhian Cossacks, Ilya Repin, 1880–1891

Ilya Repin

Reply of the Zaporozhian Cossacks, 1880–1891

Автопортрет (Художник), Kazimir Malevich, 1933

Kazimir Malevich

Автопортрет (Художник), 1933

Red Cavalry Riding, Kazimir Malevich, c. 1932

Kazimir Malevich

Red Cavalry Riding, c. 1932

На жатву (Марфа и Ванька), Kazimir Malevich, 1928-1929

Kazimir Malevich

На жатву (Марфа и Ванька), 1928-1929

Черный квадрат, Kazimir Malevich, c. 1923

Kazimir Malevich

Черный квадрат, c. 1923