Edward RuschaAmerican, 1937Roughly 92% Angel, But About 8% Devil
May one see it?
Not receiving at present
National Gallery of Art
Washington, D.C., United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum's own collection data
Particulars
- Accession number
- 1998.40.399
What it shows
In the catalog
Sources
- National Gallery of Art: the museum's own open data · fetched 8 days ago
- Image: National Gallery of Art — © the artist or rights holder
Meanwhile, in the life of Edward Ruscha
The whole lifefrom 1980
Devises his own typeface “Boy Scout Utility Modern”
From 1980 he uses an all-caps typeface of his own invention in which curved letter forms are squared off (as in the Hollywood sign); from the mid-1980s many of his paintings include black or white “blanks” or “censor strips” to suggest where the “missing” words would have been placed.
19 June 1982 – 28 September 1982
Exhibition: documenta 7
1983
First retrospective at SFMOMA
The long series of museum retrospectives begins: the exhibition at SFMOMA travels on to the Whitney Museum of American Art, the Vancouver Art Gallery, the San Antonio Museum of Art and the Los Angeles County Museum of Art.
![Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/8f29e3c9-a289-4d53-abf0-31a66e9e98fa/full/!2400,2400/0/default.jpg)
![Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478](https://api.nga.gov/iiif/ff62e8d0-45c4-498f-ad36-6358de827e04/full/!2400,2400/0/default.jpg)
