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  3. Robert Flaherty
Robert Flaherty, Henri Cartier-Bresson, 1946
Henri Cartier-Bresson, portraitHenri Cartier-BressonFrench, 1908–2004

Robert Flaherty

1946 · Photograph

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
16 days ago
Source
The museum
On the mapMuseum page

Particulars

1946 · aged 38
19082004
Accession number
255.1985

In the catalog

PhotographsGelatin silver printPost-war art20th century

Sources

  • The Museum of Modern Art
  • Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Henri Cartier-Bresson

The whole life
  1. 1943–1944

    In the underground: helping escapees and photographing the occupation

    In France he worked for the underground, helping other escapees and secretly working with other photographers to cover the occupation and then the liberation of France.

  2. 1944

    The liberation of Paris and portraits of Matisse and Camus

    In 1944 he photographed the liberation of Paris and made portraits of Henri Matisse, Albert Camus, and Irène and Frédéric Joliot-Curie.

  3. early 1947

    Magnum Photos is founded

    In early 1947, with Robert Capa, David Seymour, William Vandivert and George Rodger, he founded Magnum — a cooperative picture agency owned by its members; he was assigned India and China, and later also travelled to Pakistan, Burma, Indonesia, Mexico, Japan, Cuba, Canada and the USSR.

  4. 1947

    The MoMA retrospective and his first book

    His film spurred a retrospective at the Museum of Modern Art, which opened in 1947 and later toured the country; it was accompanied by his first book, “The Photographs of Henri Cartier-Bresson”, with texts by Lincoln Kirstein and Beaumont Newhall.

  5. 1948

    Reporting Gandhi’s funeral

    He achieved international recognition for his coverage of Gandhi’s funeral in India in 1948.

  6. 1948–1949

    China at a turning point: the fall of the Kuomintang

    He covered the last stage of the Chinese Civil War — the last six months of the Kuomintang administration and the first six months of the People’s Republic; in Beijing, as the communists liberated it, he photographed the last surviving imperial eunuchs, in Shanghai he often worked with the photojournalist Sam Tata, whom he had befriended in Bombay, and from China he went on to the Dutch East Indies to document independence from the Dutch.

More by Henri Cartier-Bresson

All works
Easter Sunday in Harlem, New York, Henri Cartier-Bresson, 1947

Easter Sunday in Harlem, New York

1947 · The Museum of Modern Art

Lincoln Kirstein, Henri Cartier-Bresson, 1964

Lincoln Kirstein

1964 · The Museum of Modern Art

Rouen, Henri Cartier-Bresson, 1929

Rouen

1929 · Not on view · The Museum of Modern Art

France, Henri Cartier-Bresson, 1929

France

1929 · Not on view · The Museum of Modern Art

Dieppe, France, Henri Cartier-Bresson, 1929

Dieppe, France

1929 · Not on view · The Museum of Modern Art

Rouen, Henri Cartier-Bresson, 1929

Rouen

1929 · Not on view · The Museum of Modern Art

Budapest, Henri Cartier-Bresson, 1931

Budapest

1931 · Not on view · The Museum of Modern Art

Front view of Jalma with her Hand, Montmarte (Jalma de face et sa main, Montmarte), Henri Cartier-Bresson, c. 1931

Front view of Jalma with her Hand, Montmarte (Jalma de face et sa main, Montmarte)

c. 1931 · Not on view · The Museum of Modern Art

Neighbors at The Museum of Modern Art

Museum page
Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Face in Profile (plate, page 21) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950