Reclining Woman

The objects in this case present different visions of the female body. Statuette or vessel, funerary offering or object of worship, decorative feature or conscious work of art, they would have elicited very different — though not mutually exclusive — responses when seen in their original contexts. Some called for symbolic or religious understanding and were used in ritual, such as the Cycladic figure; others invited their viewers to reconstruct a narrative scenario, such as the Aphrodite binding her sandal; whereas yet others offered visceral aesthetic, sensual, and perhaps even tactile delight. One of the bodies here — Lachaise’s Woman Bending Backward — is not from the ancient world, but, like many other European and American works, depends very much on Greco-Roman models and ideals, even as it distances itself from them, for example with a pose not known from representations of women in antiquity.