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  1. Collection/
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  3. Prout's Neck, Breakers
Prout's Neck, Breakers, Winslow Homer, 1883

Prout's Neck, Breakers

1883 · Drawing and Watercolor

About the work

Homer’s decision to move to Maine in 1883 presumably indicated his desire to live close to nature—Prout’s Neck was a peninsula known for its rocky coastline and dramatic views of the Atlantic Ocean. Prout’s Neck, Breakers, later the model for the monumental oil painting Early Morning after a Storm at Sea, shows the artist’s continued fascination with the power of the sea. However, unlike his earlier marine works, this and other watercolors made at Prout’s Neck are usually devoid of human activity, exploring nature’s grandeur in its many manifestations. This work also exemplifies important aspects of Homer’s technique as a watercolorist, including the way he layered strokes of color—using a range of light and dark blues—to create the depth and force of the breaking waves. He used the white of the paper to produce a brilliant sheen on the sea, juxtaposed with a hazy sky above.

Art Institute of Chicago · CC BY 4.0

Particulars

1883 · aged 47
18361910

Meanwhile, in the life of Winslow Homer

The whole life
  1. spring 1881 – November 1882

    England: the village of Cullercoats

    In 1881 Homer set off on his second and last trip abroad, to England, and from the spring of 1881 to November 1882 lived in the village of Cullercoats on the North Sea, depicting the courage of fishermen and above all of women: gutting fish, mending nets, waiting for the men at the water's edge. The period profoundly changed his later work: his palette grew sober and his pictures larger. Of the local women he wrote: “The women are the working bees.”

  2. November 1882

    Return: “a very different Homer”

    In November 1882 Homer returned to the United States and showed his English watercolours in New York. Critics noticed the change at once: “He is a very different Homer from the one we knew”, his pictures were “works of High Art”, and his women were no longer “dolls who flaunt their millinery” but sturdy, fearless wives and mothers.

  3. summer 1883

    Moves to Prouts Neck

    In the summer of 1883 Homer moved from New York to Prouts Neck, a peninsula ten miles south of Portland, Maine, and lived there for the rest of his life, using solitude to work. He settled on the family estate, in a remodelled carriage house seventy-five feet from the ocean.

  4. 1884

    Death of his mother

    In 1884 Homer's mother died: his first teacher and the strongest influence on him. After her death he became a “parent” to his ageing but domineering father, and his sister-in-law Martha (“Mattie”) became his closest female intimate.

More by Winslow Homer

All works

Neighbors at Art Institute of Chicago

Museum page

On the same theme · Sea

All works on the theme
Accession number
1933.1247

Sources

  • Art Institute of Chicago
  • Image: Art Institute of Chicago — CC0

winter 1884 – 1885

Florida, Cuba and the Bahamas

In the winter of 1884–1885 Homer travelled to Florida, Cuba and the Bahamas, painting a series of watercolours commissioned by Century Magazine: the storm-tossed green sea of Prouts Neck gave way to the sparkling blue skies of the Caribbean, and for Edith Blake, wife of the governor of the Bahamas, he painted “Children Under a Palm Tree”. “A Garden in Nassau” (1885) is one of the best of these watercolours, but they proved too advanced for traditional buyers.

Winslow Homer, portraitWinslow HomerAmerican, 1836–1910

May one see it?

Not receiving at present

Art Institute of Chicago

Chicago, United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page
The Veteran in a New Field, Winslow Homer, 1865

The Veteran in a New Field

1865 · The Metropolitan Museum of Art

The Gulf Stream, Winslow Homer, 1899; reworked by 1906

The Gulf Stream

1899; reworked by 1906 · The Metropolitan Museum of Art

Home, Sweet Home, Winslow Homer, c. 1863

Home, Sweet Home

c. 1863 · National Gallery of Art

Prisoners from the Front, Winslow Homer, 1866

Prisoners from the Front

1866 · The Metropolitan Museum of Art

The Studio, Winslow Homer, 1867

The Studio

1867 · The Metropolitan Museum of Art

Coming through the Rye, Winslow Homer, 1867

Coming through the Rye

1867 · The Metropolitan Museum of Art

The Dinner Horn (Blowing the Horn at Seaside), Winslow Homer, 1870

The Dinner Horn (Blowing the Horn at Seaside)

1870 · National Gallery of Art

Rainy Day in Camp, Winslow Homer, 1871

Rainy Day in Camp

1871 · The Metropolitan Museum of Art

The Bedroom, Vincent van Gogh, 1889

Vincent van Gogh

The Bedroom, 1889

A Sunday on La Grande Jatte — 1884, Georges Seurat, 1884–86, border added 1888–89

Georges Seurat

A Sunday Afternoon on the Island of La Grande Jatte, 1884–86, border added 1888–89

Paris Street; Rainy Day, Gustave Caillebotte, 1877

Gustave Caillebotte

Paris Street; Rainy Day, 1877

Two Sisters (On the Terrace), Pierre-Auguste Renoir, 1881

Pierre-Auguste Renoir

Two Sisters (On the Terrace), 1881

The Basket of Apples, Paul Cézanne, c. 1893

Paul Cézanne

The Basket of Apples, c. 1893

Stacks of Wheat (End of Summer), Claude Monet, 1890–91

Claude Monet

Stacks of Wheat (End of Summer), 1890–91

American Gothic, Grant Wood, 1930

Grant Wood

American Gothic, 1930

Nighthawks, Edward Hopper, 1942

Edward Hopper

Nighthawks, 1942

Whalers, Joseph Mallord William Turner, ca. 1845

Joseph Mallord William Turner

Whalers, ca. 1845

The Metropolitan Museum of Art

Seascape near Les Saintes-Maries-de-la-Mer, Vincent van Gogh, 1888

Vincent van Gogh

Seascape near Les Saintes-Maries-de-la-Mer, 1888

Van Gogh Museum

Woman at the Seashore (Femme au bord de la mer), Pablo Picasso, 1923 or 1924

Pablo Picasso

Woman at the Seashore (Femme au bord de la mer), 1923 or 1924

Not on view · National Gallery of Art

Two Desparate Men on the Seashore (Deux viellards et voilier), Pablo Picasso, 1934

Pablo Picasso

Two Desparate Men on the Seashore (Deux viellards et voilier), 1934

Not on view · National Gallery of Art

The Green Wave, Claude Monet, ca. 1866–67

Claude Monet

The Green Wave, ca. 1866–67

The Metropolitan Museum of Art

The Manneporte near Etretat, Claude Monet, 1886

Claude Monet

The Manneporte near Etretat, 1886

The Metropolitan Museum of Art

The Manneporte (Etretat), Claude Monet, 1883

Claude Monet

The Manneporte (Etretat), 1883

The Metropolitan Museum of Art

[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], Rembrandt, 1633

Rembrandt van Rijn

[Das Schiff des Glücks; The Ship of Fortune; La fortune contraire], 1633

Herzog Anton Ulrich Museum

What it shows

SeaCentury of ProgressWorld's fairsChicago World's Fairs

In the catalog

Drawings & watercolorsWatercolourImpressionism19th centuryUnited States