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  1. Collection/
  2. Musée de la Cour d'Or/
  3. Preuve du Contraire
Preuve du Contraire, Pierre Alechinsky, 1977
Pierre Alechinsky, portraitPierre AlechinskyBelgian, 1927

Preuve du Contraire

1977 · Painting

May one see it?

Unknown

MCD
Musée de la Cour d'Or

Metz, France

The owner is known; whether it is on view today is not.

In this state since
Oct 5, 2026
Source
The museum
On the mapMuseum page

Particulars

1977 · aged 50
1927now
Accession number
77.39.1 ; 723 (Ancien catalogue Peintures)

In the catalog

PaintingsAcrylicFrench paintingContemporary art20th centuryCobra

Sources

  • Musée de la Cour d'Or
  • Image: Musée de la Cour d'Or — © Adagp, Paris, 2026, utilisation soumise à autorisation; Ministère de la Culture (France), base Joconde

More by Pierre Alechinsky

All works
The Cat and the Rooster (Le chat et le coq) from Aesop's Fable (Fables d'Ésope), Pierre Alechinsky, 1946

The Cat and the Rooster (Le chat et le coq) from Aesop's Fable (Fables d'Ésope)

1946 · Not on view · The Museum of Modern Art

The Hairdresser (Le coiffeur), Pierre Alechinsky, 1948

The Hairdresser (Le coiffeur)

1948 · Not on view · The Museum of Modern Art

Front cover from Frie Kunstnere , Volume 1, Pierre Alechinsky, 1950

Front cover from Frie Kunstnere , Volume 1

1950 · Not on view · The Museum of Modern Art

Loudspeaker (Haut parleur), Pierre Alechinsky, 1950

Loudspeaker (Haut parleur)

1950 · Not on view · The Museum of Modern Art

Head (Tête), Pierre Alechinsky, 1951

Head (Tête)

1951 · Not on view · The Museum of Modern Art

Frying Pan (La poêle à frire), Pierre Alechinsky, 1951

Frying Pan (La poêle à frire)

1951 · Not on view · The Museum of Modern Art

Writings (Écritures) from Hayterophilies, Pierre Alechinsky, 1968 (plate executed 1952)

Writings (Écritures) from Hayterophilies

1968 (plate executed 1952) · Not on view · The Museum of Modern Art

The Shadows (Les ombres) from Hayterophilies, Pierre Alechinsky, 1968 (plate exeucted 1952)

The Shadows (Les ombres) from Hayterophilies

1968 (plate exeucted 1952) · Not on view · The Museum of Modern Art