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Collections: Art Institute of Chicago, Getty Villa, Harvard Art Museums, Hirshhorn Museum and Sculpture Garden, J. Paul Getty Museum, Minneapolis Institute of Art, Musée du Louvre, National Gallery of Art, National Museum of Asian Art, National Portrait Gallery (Smithsonian), Pushkin State Museum of Fine Arts, Rijksmuseum, Smithsonian American Art Museum, SMK — National Gallery of Denmark, State Hermitage Museum, State Russian Museum, The Cleveland Museum of Art, The Metropolitan Museum of Art, The Museum of Modern Art, Tretyakov Gallery, Victoria and Albert Museum, Whitney Museum of American Art, State Catalogue of the Museum Fund of Russia (274 museums), Europeana (19 museums), Wikidata (6 museums), Paris Musées (12 museums), and Joconde, the French Ministry of Culture's museum database (495 museums). Images belong to their rights holders.

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The Museum of Modern Art
Poster for Carnival at Ostende

Poster for Carnival at Ostende, James Ensor, 1931

Ensor, James, portrait

Ensor, JamesBelgian, 1860–1949

Poster for Carnival at Ostende

1931 · Print

May one see it?

Not receiving at present

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked: 9 days ago
Source: The museum

On the map Museum page

Particulars

1931 · aged 71

18601949

Accession number: 349.1962

In the catalog

Prints Lithograph Modernism 20th century

Sources

The Museum of Modern Art
Image: The Museum of Modern Art — © the artist or rights holder

Meanwhile, in the life of Ensor, James

1860–1949 · Workplace
Ostend
1917–1949 · Residence
Ensor House
1929
Retrospective in Brussels and a barony
After his first major retrospective in Brussels Ensor was made a baron by King Albert; that same year the composer Flor Alpaerts devoted his “James Ensor Suite” to him. Once a baron, the artist tried to withdraw his political etchings of 1889 from circulation.
1933
The ribbon of the Légion d'honneur
Ensor was awarded the ribbon of the Légion d'honneur. That same year he painted “Port of Ostend” and “Ensor at the Harmonium”.

More by Ensor, James

Christ's Entry into Brussels in 1889, James Ensor, 1888

Christ's Entry into Brussels in 1889

1888 · J. Paul Getty Museum

The Intrigue, James Ensor, 1911

The Intrigue

1911 · Minneapolis Institute of Art

Comical Repast (Feast of the Lean), James Ensor, ca. 1917–18

Comical Repast (Feast of the Lean)

ca. 1917–18 · The Metropolitan Museum of Art

Still Life with Fish and Shells, James Ensor, 1898

Still Life with Fish and Shells

1898 · Art Institute of Chicago

The Riding Crop, James Ensor

The Riding Crop

Not on view · National Gallery of Art

Phantastisches Stillleben, James Ensor

Phantastisches Stillleben

Belvedere

Stillleben mit blauer Flasche und gerupftem Huhn, James Ensor

Stillleben mit blauer Flasche und gerupftem Huhn

Belvedere

Blumenkorb, James Ensor

Blumenkorb

Albertina

Neighbors at The Museum of Modern Art

Rock, Bakers Beach, San Francisco, California, Ansel Adams, c. 1931

Ansel Adams

Rock, Bakers Beach, San Francisco, California, c. 1931

The Olive Trees, Vincent van Gogh, Saint Rémy, June-July 1889

Vincent van Gogh

The Olive Trees, Saint Rémy, June-July 1889

The Starry Night, Vincent van Gogh, Saint Rémy, June 1889

Vincent van Gogh

The Starry Night, Saint Rémy, June 1889

Goat Skull and Bottle, Pablo Picasso, Vallauris, 1951 (cast 1954)

Pablo Picasso

Goat Skull and Bottle, Vallauris, 1951 (cast 1954)

She-Goat, Pablo Picasso, Vallauris, 1950 (cast 1952)

Pablo Picasso

She-Goat, Vallauris, 1950 (cast 1952)

Pablo Picasso

Face in Profile (plate, page 21) from Corps perdu, 1949, published 1950

Coupling (plate, page 17) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

Coupling (plate, page 17) from Corps perdu, 1949, published 1950

"Présence" (chapter title, page 13) from Corps perdu, Pablo Picasso, 1949, published 1950

Pablo Picasso

"Présence" (chapter title, page 13) from Corps perdu, 1949, published 1950