David HockneyBritish, 1937–2026Pleading for the Child
May one see it?
Not receiving at present
Minneapolis, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
A landmark of 20th-century book illustration, David Hockney’s unconventional interpretation of fairy tales selected from the hundreds compiled by the Brothers Grimm (Jakob Ludwig Carl Grimm and Wilhelm Carl Grimm) during the 19th century, considers the supernatural and psychological content of these bizarre stories in visual terms. With a virtuoso handling of linear and tonal intaglio printmaking, Hockney explores the characters’ motivations, values, and temperaments, presenting his own reading of the tales while seeking a greater understanding of human mentality. The illustrations also reference art of the past, a common feature of Hockney’s work, with visual allusions to Uccello, Carpaccio, Leonardo, Brueghel, and René Magritte. As a result, there is a timeless quality to the images that complements the stories’ centuries-old legacy of folklore.
Minneapolis Institute of Art
Particulars
- Accession number
- 2017.152.7
In the catalog
Sources
- Minneapolis Institute of Art
- Image: Minneapolis Institute of Art — © David Hockney
Meanwhile, in the life of David Hockney
The whole life1966–1978
Stage designer: “Ubu Roi” and the Glyndebourne operas
Hockney’s first stage designs are for “Ubu Roi” at London’s Royal Court Theatre (1966), followed by Stravinsky’s “The Rake’s Progress” (1975) and “The Magic Flute” (1978) for the Glyndebourne Festival Opera. It is the start of the opera work that will go on in New York, Los Angeles, Chicago and London.
1967 · Award
John Moores Painting Prize
from 1968
Double portraits of friends, lovers and relatives
From 1968, and for the next few years, Hockney paints portraits and double portraits of friends, lovers and relatives just under life-size, in a realistic style that adroitly captures the likenesses. He returns to the portrait throughout his career, creating over 300 self-portraits.
27 June 1968 – 6 October 1968
Exhibition: 4. documenta
by 1970
A retrospective at London’s Whitechapel Gallery
By 1970 London’s Whitechapel Gallery has organised the first of several major retrospectives of Hockney’s work, which subsequently travel to three European institutions.
