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  3. Plants growing near a wall
Plants growing near a wall, John Constable, ca. 1820 - ca. 1830

Plants growing near a wall

ca. 1820 - ca. 1830 · Oil painting · 30.5 × 24.8 cm

Particulars

ca. 1820 - ca. 1830
17761837
Accession number
785-1888

Meanwhile, in the life of John Constable

The whole life
  1. 1821

    “The Hay Wain” at the Royal Academy

    The picture, shown as “Landscape: Noon”, found no buyer, but it was seen by the painter Théodore Géricault and the writer Charles Nodier. According to Delacroix, Géricault went back to France quite stunned and invited Constable to Paris, while Nodier urged French artists to look to nature rather than to trips to Rome.

  2. 1824

    The Paris Salon: a gold medal

    The Anglo-French dealer John Arrowsmith bought The Hay Wain and other works, and in 1824 they were shown at the Paris Salon, where they caused a sensation. The Hay Wain was awarded a gold medal by Charles X.

  3. 1824

    Delacroix repaints the background of “The Massacre at Chios”

    After seeing Constable’s pictures at Arrowsmith’s gallery, Delacroix repainted the background of his Massacre at Chios, saying the paintings had done him a great deal of good. In his journal he noted that Constable’s meadow greens are a combination of many different shades.

  4. 1824–1828

    The family in Brighton for Maria’s health

    When Maria began to show symptoms of tuberculosis, Constable took lodgings for the family in Brighton in the hope that sea air would restore her health, dividing his time between Brighton and Charlotte Street in London. He was unsure at first that Brighton suited painting, and complained to Fisher that the beach was only Piccadilly by the sea.

  5. 23 November 1828

    The death of his wife Maria

More by John Constable

All works

Neighbors at Victoria and Albert Museum

Museum page

On the same theme · Wall

All works on the theme

After the birth of their seventh child the family returned to Hampstead, where Maria died of tuberculosis at the age of 41. “Hourly do I feel the loss of my departed Angel,” Constable wrote to his brother.

  • February 1829

    Elected to the Royal Academy at fifty-two

    In February 1829, three months after his wife’s death, Constable was elected a member of the Royal Academy, at the age of 52.

  • John Constable, portraitJohn ConstableBritish, 1776–1837

    May one see it?

    Not receiving at present

    Victoria and Albert Museum

    London, United Kingdom

    It belongs to the collection, but is not on display at present.

    Checked
    13 days ago
    In this state since
    Sep 25, 2026
    Source
    The museum
    On the mapMuseum page

    What it shows

    WallPlants

    In the catalog

    PaintingsOilBritish paintingNeoclassicismRomanticism19th centuryBritish SchoolEngland

    Sources

    • Victoria and Albert Museum
    • Image: Victoria and Albert Museum — © Victoria and Albert Museum, London
    Stoke-by-Nayland, John Constable, ca. 1810–11

    Stoke-by-Nayland

    ca. 1810–11 · The Metropolitan Museum of Art

    Wivenhoe Park, Essex, John Constable, 1816

    Wivenhoe Park, Essex

    1816 · National Gallery of Art

    The White Horse, John Constable, 1818-1819

    The White Horse

    1818-1819 · National Gallery of Art

    La baie de Weymouth à l'approche de l'orage, Constable, John, 1e quart du XIXe siècle (1818 - 1819)

    La baie de Weymouth à l'approche de l'orage

    first quarter of the 19th century (1818–1819) · Musée du Louvre

    Salisbury Cathedral from Lower Marsh Close, John Constable, 1820

    Salisbury Cathedral from Lower Marsh Close

    1820 · National Gallery of Art

    Vue de Salisbury, Constable, John, 1e quart du XIXe siècle (1820)

    Vue de Salisbury

    first quarter of the 19th century (1820) · Musée du Louvre

    Vallon à Helmingham [Helmingham Dell], Constable, John, 1e quart du XIXe siècle (peint à l'été 1823 (selon Beckett)) (1823)

    Vallon à Helmingham [Helmingham Dell]

    1823 · Musée du Louvre

    Salisbury Cathedral from the Bishop's Grounds, John Constable, ca. 1825

    Salisbury Cathedral from the Bishop's Grounds

    ca. 1825 · The Metropolitan Museum of Art

    Bird of Paradise, Hashimoto Chitaka, 2026

    Hashimoto Chitaka

    Bird of Paradise, 2026

    Torsion 2, Taruma Shoko, 2025

    Taruma Shoko

    Torsion 2, 2025

    Fu, Someya Satoshi, 2025

    Someya Satoshi

    Fu, 2025

    Bow Before the Curtain Falls, 2024

    Bow Before the Curtain Falls, 2024

    Summer, 2024

    Summer, 2024

    Red Flow, Ishizuka Genta, 2024

    Ishizuka Genta

    Red Flow, 2024

    3D replica of Michelangelo's Prisoner (4117-1854), Factum Arte, 2024

    Factum Arte

    3D replica of Michelangelo's Prisoner (4117-1854), 2024

    Sculpture, ‘Co-Existence – the Man and the Monkey’, Zhao Lin, 2024

    Zhao Lin

    Sculpture, ‘Co-Existence – the Man and the Monkey’, 2024

    Dying Minotaur and Compassionate Young Woman (Minotaure mourant et jeune femme pitoyable), Pablo Picasso, 1933

    Pablo Picasso

    Dying Minotaur and Compassionate Young Woman (Minotaure mourant et jeune femme pitoyable), 1933

    Not on view · National Gallery of Art

    Jon Gould, Andy Warhol, 1980-1985

    Andy Warhol

    Jon Gould, 1980-1985

    Not on view · National Gallery of Art

    Christ Preaching (The Hundred Guilder Print), Rembrandt van Rijn, c. 1649

    Rembrandt van Rijn

    Christ Preaching (The Hundred Guilder Print), c. 1649

    Not on view · National Gallery of Art

    La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), Francisco Goya, in or before 1816

    Francisco de Goya

    La desgraciada muerte de Pepe Illo en la plaza de Madrid (The Unlucky Death of Pepe Illo in the Ring at Madrid), in or before 1816

    Not on view · National Gallery of Art

    Disparate furioso (Furious Folly), Francisco Goya, in or after 1816

    Francisco de Goya

    Disparate furioso (Furious Folly), in or after 1816

    Not on view · National Gallery of Art

    Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), Francisco Goya, in or before 1816

    Francisco de Goya

    Pepe Illo haciendo el recorte al toro (Pepe Illo Making the Pass of the "Recorte"), in or before 1816

    Not on view · National Gallery of Art

    Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), Francisco Goya, in or before 1816

    Francisco de Goya

    Valor varonil de la celebre Pajuelera en la de Zaragoza (Manly Courage of the Celebrated Pajuelera in the Ring at Saragossa), in or before 1816

    Not on view · National Gallery of Art

    Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), Francisco Goya, in or before 1816

    Francisco de Goya

    Ligereza y atrevimiento de Juanito Apinani en la de Madrid (The Agility and Audacityof Juanito Apinani in the Ring at Madrid), in or before 1816

    Not on view · National Gallery of Art