Jacques-Louis DavidFrench, 1748–1825Phryne before Her Judges
Can I see it?
Not on view at present
Where is “Phryne before Her Judges” now? Collection: The Cleveland Museum of Art, Cleveland. Not on view at present. Checked September 29, 2026.
Cleveland, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
About the work
Known in his own time for large-scale paintings on historical subjects, Jacques-Louis David drew avidly to plan his compositions. Late in life, however, his use of drawing changed dramatically, resulting in works such as this pair. After falling out of political favor during the French Revolution (1789–99), David moved to Brussels in exile. There, he crafted small, enigmatic drawings of close-up figures. Phryne features a mythological courtesan charged with blasphemy, while The Prisoner is vaguer, with an unidentifiable man grimacing alongside a chain and oil lamp. David embraced this uncertainty, writing at the time that “I just threw down . . . the mad ideas that came into my head.”
The Cleveland Museum of Art
Details
- Accession number
- 2013.249
In the catalog
Sources
- The Cleveland Museum of Art
- Image: The Cleveland Museum of Art — Museum open access
In the life of Jacques-Louis David
The whole life1815
Flees to Switzerland after Waterloo
After Bonaparte’s defeat at Waterloo and the Bourbon restoration he was forced to flee to Switzerland; in August of the same year he returned to France.
1815
Napoleon visits David during the Hundred Days
During the Hundred Days Napoleon visited the painter and awarded him the commander’s cross of the Legion of Honour.
1816
Exile: moves to Brussels
Exiled from France for his part in the king’s execution, despite the intercession of the police minister Élie Decazes, he settled in Brussels, where he lived for the rest of his life.
1816–1825
The Brussels years: pupils and smaller works
He trained and influenced Brussels artists such as François-Joseph Navez and Ignace Brice, painted “Cupid and Psyche,” smaller mythological scenes, portraits of Brussels citizens and Napoleonic émigrés, and, towards the end of his life, a portrait of his old friend Abbé Sieyès.
