Пейзаж, Adam Elsheimer, late 16th century
Adam Elsheimer, portraitAdam ElsheimerGerman, 1578–1610

Пейзаж

late 16th century · Painting

May one see it?

Unknown

Gatchina Museum-Preserve

Gatchina, Russia

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the painting

In the museum's own words — in Russian

Изображен ночной пейзаж с архитектурными сооружениями. Слева угол здания, к которому примыкает аркада. Сверху здание и аркада обвиты зеленью. Справа - угол здания, перед которым на постаменте стоит большая ваза. В центре на переднем плане изображена женщина, которую за руку ведет мальчик, держащий факел. В правом верхнем углу видна луна.

Gatchina Museum-Preserve

Particulars

Accession number
ГДМ-54-III

In the catalog

Sources

Meanwhile, in the life of Adam Elsheimer

The whole life
  1. 18 March 1578

    Born

  2. 18 March 1578

    A master tailor’s family in Frankfurt

    Born in Frankfurt am Main, one of ten children of a master tailor. His father’s house stood a few metres from the church where Dürer’s Heller Altarpiece was then displayed, and survived until it was destroyed by Allied bombs in 1944.

  3. 1598

    Sets out for Italy via Munich

    At twenty he travelled to Italy, and he is documented in Munich in 1598. His teacher Philipp Uffenbach specialised in large altarpieces, whereas Elsheimer’s earliest small paintings on copper seem to date from before he reached Italy.

  4. early 1600

    Arrives in Rome

    He arrives in Rome in early 1600. His stay in Venice is undocumented, but its influence on his style is clear: he is believed to have painted “The Baptism of Christ” (London) and “The Holy Family” (Berlin) there, which show the influence of Tintoretto, Veronese and Rottenhammer.

  5. 1600

    Befriends Faber and Bril in Rome

    Soon after arriving he befriends contacts of Rottenhammer: Giovanni Faber, a papal doctor, botanist and collector from Bamberg who was curator of the Vatican Botanical Garden, and the Flemish landscape painter Paul Bril, long established in Rome. Both had converted from Lutheranism to Catholicism, as Elsheimer would later do.

  6. 1601

    Meets Rubens

    Rubens, who was in Rome in 1601 and knew both Faber and Bril, becomes another friend of Elsheimer and later reproaches him for not producing more work. Elsheimer also knew David Teniers the Elder, recently Rubens’ pupil, and there is evidence that the two lodged together.

All works

From the collection of Gatchina Museum-Preserve

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