PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN), Carl Andre, 1973, printed 1982
Carl AndreAmerican, 1935–2024

PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)

1973, printed 1982 · Print

Can I see it?

Not on view at present

Where is “PERPLEXITIESHOUSEHOLDWANTSINDIANMODEOFBOILINGEGGSOCEARNINGSAVALUABLE<br>(from YUCATAN)” now? Collection: Whitney Museum of American Art, New York. Not on view at present. Checked September 25, 2026.

Whitney Museum of American Art

New York, United States

It belongs to the collection, but is not on display at present.

Checked
Source
The museum

Details

Accession number
2013.83.2

In the catalog

Sources

In the life of Carl Andre

The whole life
  1. 1972

    Tate buys “Equivalent VIII”

    Britain’s Tate Gallery acquires “Equivalent VIII”, an arrangement of 120 firebricks.

  2. 1976

    The “bricks controversy” over “Equivalent VIII”

    After an article in The Sunday Times, the work that the Tate had shown several times without incident becomes the centre of a scandal and is later defaced with blue food dye; the “bricks controversy” becomes one of the most famous British debates about contemporary art.

  3. 24 June 1977 – 2 October 1977

    Exhibition: Documenta 6

  4. 1979

    Meets Ana Mendieta

    At AIR Gallery in New York the artists Leon Golub and Nancy Spero introduce Andre to the Cuban-born avant-garde artist Ana Mendieta. A romance soon begins: he travels with her through Italy and Germany, introduces her to New York’s art society and helps organize her exhibitions.

  5. 1980

    The book “12 Dialogues”

    NYU Press publishes “12 Dialogues”, in which Andre and Hollis Frampton took turns replying to each other at a typewriter in poetry and free-form essay-like texts.

  6. 19 June 1982 – 28 September 1982

    Exhibition: documenta 7

All works

On view at Whitney Museum of American Art

Museum page