Павлин, Natalia Goncharova, 1912
Natalia Goncharova, portraitNatalia GoncharovaRussian, 1881–1962

Павлин

1912 · Print · 13 × 9 cm

Can I see it?

Unknown

Where is “Павлин” now? Collection: State Russian Museum, Saint Petersburg. Unknown.

State Russian Museum

Saint Petersburg, Russia

The owner is known; whether it is on view today is not.

In this state since
Source
The museum

About the work

Museum text in Russian

По мотивам картины автора «Белый павлин» (входила в серию «Художественные возможности по поводу павлина» начала 1910-х).

Издательская деятельность футуристов оставила большое наследие, в которое входят также и почтовые открытки с композициями, созданными по мотивам станковых произведений художников-футуристов и их портретов. Производство открытых писем и являлось одной из форм распространения идей и пропаганды эстетики авангарда. Екатерина Климова. Футуристическая книга // Наш авангард. СПб, 2025. С. 342.

State Russian Museum

Details

Accession number
Гр.-41135

What it shows

In the catalog

Sources

In the life of Natalia Goncharova

The whole life
  1. 24 March 1910

    First solo show and a charge of pornography

    At the club of the Society of Free Aesthetics Goncharova showed 22 paintings for a single day; after an anonymous notice in the newspaper “Golos Moskvy” the police seized two “Models” and the painting “God”, and she was charged with pornography.

  2. December 1910 – January 1911

    First Jack of Diamonds exhibition

    The first show of the Jack of Diamonds — Moscow's first radical independent exhibiting group, named by Larionov — included Goncharova's Primitivist and Cubist paintings.

  3. 1911

    Develops Rayonism with Larionov

    Goncharova and Larionov developed Rayonism and painted many works in the style (elsewhere Rayonism is dated 1912–1914).

  4. March – April 1912

    The Donkey's Tail: over fifty paintings

    More than fifty of her paintings hung at the first Donkey's Tail exhibition, which Larionov organised as a break with European influence; the censor confiscated “The Evangelists” as blasphemous.

  5. autumn 1913

    Solo show on Bolshaya Dmitrovka

    Goncharova's largest solo show (together with the spring show in St Petersburg, over 700 works of 1900–1913) closed with the first catalogue-monograph on her and Larionov, edited by I. M. Zdanevich; its preface carries the famous words about turning away “from the West” to the East, whose authorship is disputed.

  6. 1914

    Designs “The Golden Cockerel” for Diaghilev

    On Alexandre Benois's recommendation Diaghilev invited Goncharova to design the opera-ballet “The Golden Cockerel”; after its first performances in Paris and London succeeded, their collaboration continued.

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On view at State Russian Museum

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