Utagawa HiroshigeJapanese, 1797–1858Outside Sakurada
May one see it?
Not receiving at present
Minneapolis Institute of Art
Minneapolis, United States
It belongs to the collection, but is not on display at present.
- Checked
- In this state since
- Source
- The museum
Particulars
- Accession number
- P.78.64.3
In the catalog
Sources
- Minneapolis Institute of Art
- Image: Minneapolis Institute of Art — public domain
Meanwhile, in the life of Utagawa Hiroshige
The whole life1856
He becomes a Buddhist monk
In 1856 Hiroshige “retired from the world”, becoming a Buddhist monk; this was the year he began his “One Hundred Famous Views of Edo”.
1856
Luxury editions with the publisher Uoya Eikichi
Working with the publisher Uoya Eikichi, Hiroshige created a series of luxury edition prints using the finest printing techniques: true gradation of color, mica for an iridescent effect, embossing, fabric printing, blind printing and glue printing.
1856–1858
One Hundred Views of Edo: a priest pays up front
His great “One Hundred Famous Views of Edo” was paid for up front by a wealthy Buddhist priest in love with the daughter of the publisher Uoya Eikichi, a former fishmonger. Hiroshige was usually poorly paid per series, yet he remained capable of remarkable art when the conditions were right.
![Shinano Province, Moon Reflected in the Sarashina Paddy-fields, Mount Kyōdai (Shinano, Sarashina tagoto no tsuki, Kyōdaisan), from the series Famous Places in the Sixty-odd Provinces [of Japan] ([Dai Nihon] Rokujūyoshū meisho zue), Utagawa Hiroshige 歌川広重, Edo period, 1853 (Kaei 6, 8th month)](https://nrs.harvard.edu/urn-3:HUAM:CARP04802_dynmc/full/!2400,2400/0/default.jpg)
