Orléans Cathedral, William Henry Fox Talbot, June 1843
William Henry Fox Talbot, portraitWilliam Henry Fox TalbotEnglish, 1800–1877

Orléans Cathedral

June 1843 · Photograph

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Not on view at present

Where is “Orléans Cathedral” now? Collection: National Gallery of Art, Washington, D.C. Not on view at present. Checked September 29, 2026.

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

Details

Accession number
1998.136.1

What it shows

In the catalog

Sources

In the life of William Henry Fox Talbot

The whole life
  1. 1840–1841

    Post: High Sheriff of Wiltshire

  2. 1840s

    Photomechanics: the road to photogravure

    In the 1840s Talbot turned to the photomechanical reproduction of pictures; this work led to photoglyphic engraving, the precursor of photogravure. Rendering a photograph in printer’s ink made editions cheaper and avoided the fading of early silver prints.

  3. February 1841

    Patents the calotype

    Talbot obtained an English patent for the calotype process and sold licences at £20 each, later lowering the fee for amateurs to £4 while professionals paid up to £300 a year; scientists saw it as a hindrance to scientific freedom. He justified his rigour by the roughly £5,000 he had spent on photography; for science the method was free, and Talbot himself published the first known photomicrograph of a mineral crystal.

  4. August 1841

    First licence goes to the miniaturist Henry Collen

    Having announced the calotype, in August Talbot licensed the miniature painter Henry Collen, who became the first professional calotypist. The most celebrated practitioners of the process were Hill & Adamson.

  5. 1842

    Son born: Charles Henry Talbot

  6. 1844–1846

    “The Pencil of Nature”, the first photobook, appears

    Longman, Brown, Green & Longmans issued the book in separate parts: 24 prints, each pasted in by hand and accompanied by a short text. Talbot is regarded as the author of the first photographic book; scholars see in it the design of a new canon built on biblical rhetoric.

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