Numazu: Twilight Picture, Utagawa Hiroshige, c. 1832–33
Utagawa Hiroshige, portraitUtagawa HiroshigeJapanese, 1797–1858

Numazu: Twilight Picture

c. 1832–33 · Print

Can I see it?

Not on view at present

Where is “Numazu: Twilight Picture” now? Collection: Minneapolis Institute of Art, Minneapolis. Not on view at present. Checked September 29, 2026.

Minneapolis Institute of Art

Minneapolis, United States

It belongs to the collection, but is not on display at present.

Checked
In this state since
Source
The museum

About the work

This print illustrates travelers approaching the town of Numasu, near Mt. Fuji, just as the full moon rises on the horizon. One of the travelers is a pilgrim journeying to (or returning from) Kompira Shrine on Shikoku Island. The shrine is dedicated to the deity Omono-nushi-no-Mikoto, a patron saint of seafarers. The shrine is located high atop Mt. Kotohira, and hence was a popular destination of yamabushi, wandering priests who venerate mountains. In the popular imagination, yamabushi became associated with tengu, mythical birdlike creatures that live deep in mountain forests. Hence, this print shows a pilgrim dressed in white carrying a portable shrine on his back that has been adorned with a tengu mask, believed to offer talismanic protection.

Minneapolis Institute of Art

Details

Accession number
17.205.13

In the catalog

Sources

In the life of Utagawa Hiroshige

The whole life
  1. 1809–1832

    Post: dōshin

  2. 1829–1830

    The turn to landscape: “Eight Views of Ōmi”

    Until then Hiroshige had worked in the usual ukiyo-e themes: book illustrations, beauties and kabuki actors. It was not until 1829–1830 that he began to produce the landscapes he is known for, such as the series “Eight Views of Ōmi”, and he also made an increasing number of bird and flower prints.

  3. 1832

    Journey to Kyoto along the Tōkaidō

    As a fire warden he was entitled to minor privileges reserved for low-ranking samurai, which is how he secured an invitation to join an official procession to Kyoto and travelled the Tōkaidō route linking the two capitals. He sketched the scenery along the way.

All works

On view at Minneapolis Institute of Art

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