New York Skyline, Margaret Bourke-White, 1934
Margaret Bourke-White, portraitMargaret Bourke-WhiteAmerican, 1904–1971

New York Skyline

1934 · Photograph

Can I see it?

Not on view at present

Where is “New York Skyline” now? Collection: The Museum of Modern Art, New York. Not on view at present. Checked October 6, 2026.

The Museum of Modern Art

New York, United States

It belongs to the collection, but is not on display at present.

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Source
The museum
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Details

Accession number
147.1974

In the catalog

Sources

In the life of Margaret Bourke-White

The whole life
  1. 1930–1932

    Photographs Stalin, his mother, Radek and Eisenstein

    On her trips she photographs Joseph Stalin and, in Georgia, his mother and great-aunt; she also portrays Karl Radek, Sergei Eisenstein and Hugh Cooper. The work in the USSR demanded great patience, and her impressions remained mixed but on the whole positive.

  2. 1932–1934

    The Soviet series: newspaper, portfolio, photomurals

    The Soviet photographs run as a six-part series in The New York Times (1932), as a deluxe photo portfolio (1934) and as photomurals for the Soviet consulate in New York (1934); other frames circulate in exhibitions, books and periodicals around the globe, especially in Soviet magazines and postcards.

  3. 1934

    Photographs Dust Bowl drought victims for Fortune

    Like Dorothea Lange, she photographs the victims of the Dust Bowl drought. This Depression-era work marks the beginning of her shift from corporate photography to photojournalism.

  4. mid-1930s

    Meets Erskine Caldwell

    She meets the bestselling novelist, who wrote about the poor rural communities of the South. He invites her to collaborate on a photojournalistic expedition through the South, which will produce the book You Have Seen Their Faces.

  5. 1936

    The first woman photojournalist at Life

    When Henry Luce launches his third magazine, the photograph-centred Life, he hires her as its first female photojournalist. She is a staff photographer until 1940, returns to the magazine in 1941–1942 and again from 1945, and also starts its first photography laboratory.

All works

On view at The Museum of Modern Art

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