Walker EvansAmerican, 1903–1975Negro Church
May one see it?
Not receiving at present
Whitney Museum of American Art
New York, United States
It belongs to the collection, but is not on display at present.
- Checked
- Source
- The museum's own collection data
Particulars
- Accession number
- 97.68
In the catalog
Sources
- Whitney Museum of American Art: the museum's own open data · fetched 10 days ago
- Image: Whitney Museum of American Art — © the artist or rights holder
Meanwhile, in the life of Walker Evans
The whole lifeJune 1935
A miners' settlement and a staff post at the RA
In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.
summer 1936
Hale County with James Agee, on assignment for Fortune
In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.
1938
“Walker Evans: American Photographs” at MoMA
The Museum of Modern Art in New York holds “Walker Evans: American Photographs”, the museum's first exhibition devoted to the work of a single photographer; the catalogue includes an essay by Lincoln Kirstein, whom Evans befriended in his early days in New York.
until 1938
The end of his FSA work
Evans continues to work for the Farm Security Administration until 1938.
1938–1939
Working with and mentoring Helen Levitt
In 1938 and 1939 Evans works with and mentors Helen Levitt.
