Mz 26, 48. Berlin

1920s

Lecture and recital tours across Europe

Together with other members of the international avant-garde — Jean Arp, Raoul Hausmann and Tristan Tzara — he organises and takes part in tours of provocative evening recitals and lectures in Czechoslovakia, the Netherlands and Germany.

1923–1932

Publishes the periodical ‘Merz’

The periodical appears from 1923 to 1932, each issue devoted to a central theme: no. 5 (1923) is a portfolio of prints by Jean Arp, and double issue 8/9 (1924) is edited and typeset by El Lissitzky, whose friendship proves particularly influential and brings Schwitters’s pictures closer to Constructivism. In all, 21 issues appeared; by numbering, the last is no. 24.

after 1924

Runs the advertising agency Merzwerbe

After the demise of the Der Sturm gallery in 1924 he runs an advertising agency, Merzwerbe, whose clients include Pelikan inks and Bahlsen biscuits. Designs, test prints and proof sheets from these jobs often crop up in his Merz pictures.

14 February 1925

First performance of the ‘Ursonate’

He performs the ‘Ursonate’ for the first time at the home of Irmgard Kiepenheuer in Potsdam, then performs it regularly, developing and extending it; in 1932 he publishes the notation in the last ‘Merz’ (no. 24, typography by Jan Tschichold) and continues to develop the piece for at least ten more years.

1927

Experiments with a phonetic alphabet

He works on a new, more phonetic alphabet, in the spirit of the typographic experiments of Herbert Bayer and Jan Tschichold; some of his types are cast and used in his work.