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  1. Collection/
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  3. Mount Pleasant, Pennsylvania
Mount Pleasant, Pennsylvania, Walker Evans, July 1935
Walker Evans, portraitWalker EvansAmerican, 1903–1975

Mount Pleasant, Pennsylvania

July 1935 · Photograph

May one see it?

Not receiving at present

National Gallery of Art

Washington, D.C., United States

It belongs to the collection, but is not on display at present.

Checked
3 days ago
In this state since
Aug 19, 2026
Source
The museum
On the mapMuseum page

Particulars

July 1935 · aged 32
19031975
Accession number
1990.110.8

What it shows

United StatesCityscapePAMount Pleasant

In the catalog

PhotographsGelatin silver printModernism20th centuryAmerican

Sources

  • National Gallery of Art
  • Image: National Gallery of Art — © the artist or rights holder

Meanwhile, in the life of Walker Evans

The whole life
  1. May – June 1933

    An assignment in Cuba

    In May and June 1933 Evans takes photographs in Cuba on assignment for Lippincott, the publisher of Carleton Beals' “The Crime of Cuba”, a “strident account” of the dictatorship of Gerardo Machado. He documents street life, the presence of police, beggars and dockworkers in rags, and other waterfront scenes; 31 of his photographs will appear in Beals' book.

  2. May – June 1933

    Drinking with Hemingway in Cuba

    In Cuba Evans drinks nightly with Ernest Hemingway, who lends him money to extend his two-week stay by an additional week. Fearing that his photographs might be deemed critical of the government and confiscated, he leaves 46 prints with Hemingway, and helps him acquire photos from newspaper archives documenting the political violence Hemingway describes in “To Have and Have Not” (1937).

  3. June 1935

    A miners' settlement and a staff post at the RA

    In 1935 Evans spends two months on a fixed-term photographic campaign in West Virginia and Pennsylvania; in June he accepts a job from the U.S. Department of the Interior to photograph a government-built resettlement community of unemployed coal miners in West Virginia. He quickly parlays this temporary employment into a full-time position as an “information specialist” in the Resettlement Administration (later the Farm Security Administration) and from October 1935 on does photographic work for it, primarily in the Southern United States.

  4. summer 1936

    Hale County with James Agee, on assignment for Fortune

    In the summer of 1936, while on leave from the FSA, Evans and the writer James Agee are sent by Fortune to Hale County, Alabama, for a story the magazine subsequently opts not to run.

More by Walker Evans

All works
African Sculpture, Walker Evans, 1935

African Sculpture

1935 · The Museum of Modern Art

Painted Sign on Fence, Cedar Point, Ohio, Walker Evans, 1930s

Painted Sign on Fence, Cedar Point, Ohio

1930s · Not on view · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Not on view · National Gallery of Art

Manhattan, Walker Evans, c. 1928

Manhattan

c. 1928 · Not on view · National Gallery of Art

New York City, Walker Evans, 1928-1929

New York City

1928-1929 · Not on view · National Gallery of Art

Coney Island, New York, Walker Evans, 1928 or 1929

Coney Island, New York

1928 or 1929 · Not on view · National Gallery of Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Not on view · The Museum of Modern Art

Untitled, Walker Evans, c. 1928

Untitled

c. 1928 · Not on view · The Museum of Modern Art

Neighbors at National Gallery of Art

Museum page
Ginevra de' Benci [obverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Ginevra de' Benci [obverse], c. 1474/1478

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], Leonardo da Vinci, c. 1474/1478

Leonardo da Vinci

Wreath of Laurel, Palm, and Juniper with a Scroll inscribed Virtutem Forma Decorat [reverse], c. 1474/1478

Green Wheat Fields, Auvers, Vincent van Gogh, 1890

Vincent van Gogh

Green Wheat Fields, Auvers, 1890

Girl in White, Vincent van Gogh, 1890

Vincent van Gogh

Girl in White, 1890

Roses, Vincent van Gogh, 1890

Vincent van Gogh

Roses, 1890

Self-Portrait, Vincent van Gogh, 1889

Vincent van Gogh

Self-Portrait, 1889

Farmhouse in Provence, Vincent van Gogh, 1888

Vincent van Gogh

Farmhouse in Provence, 1888

La Mousmé, Vincent van Gogh, 1888

Vincent van Gogh

La Mousmé, 1888

On the same theme · United States

All works on the theme
Sand Bar, Rio Grande,  Big Bend National Park, Texas, Ansel Adams, 1947, printed 1980

Ansel Adams

Sand Bar, Rio Grande, Big Bend National Park, Texas, 1947, printed 1980

Not on view · National Gallery of Art

Surf Sequence 1, San Mateo County Coast, California, Ansel Adams, 1940, printed 1982

Ansel Adams

Surf Sequence 1, San Mateo County Coast, California, 1940, printed 1982

Not on view · National Gallery of Art

Surf Sequence 2, San Mateo County Coast, California, Ansel Adams, 1940, printed 1982

Ansel Adams

Surf Sequence 2, San Mateo County Coast, California, 1940, printed 1982

Not on view · National Gallery of Art

From Glacier Point, Ansel Adams, 1927

Ansel Adams

From Glacier Point, 1927

Not on view · National Gallery of Art

Orchard, Portola Valley, California, Ansel Adams, c. 1940, printed 1980

Ansel Adams

Orchard, Portola Valley, California, c. 1940, printed 1980

Not on view · National Gallery of Art

Vernal Fall, Yosemite Valley, California, Ansel Adams, c. 1948, printed 1981

Ansel Adams

Vernal Fall, Yosemite Valley, California, c. 1948, printed 1981

Not on view · National Gallery of Art

Oak Tree, Snowstorm, Yosemite National Park, California, Ansel Adams, 1948, printed 1981

Ansel Adams

Oak Tree, Snowstorm, Yosemite National Park, California, 1948, printed 1981

Not on view · National Gallery of Art

Surf Sequence 3, San Mateo County Coast, California, Ansel Adams, 1940, printed 1982

Ansel Adams

Surf Sequence 3, San Mateo County Coast, California, 1940, printed 1982

Not on view · National Gallery of Art